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November 03, 2024
The Gaggle Music Club

This week's selection for The Gaggle Music Club is Nikolai Rimsky-Korsakov's Scheherazade op. 35. The work, inspired by the tales of the One Thousand and One Nights (also known as Arabian Nights), was composed in 1888. It is famous for its lush orchestration, exotic themes, and vivid storytelling, embodying Rimsky-Korsakov’s mastery in creating a musical world that feels both fantastical and deeply expressive.

The suite is structured in four movements, each evoking different stories and scenes from the Arabian Nights:

1. The Sea and Sinbad's Ship - This movement, with a majestic, sweeping melody, paints an image of the sea and the adventures of Sinbad. It introduces two key motifs: the stern, brass-led theme representing Sultan Shahryar; and a sinuous, solo violin theme representing Scheherazade.

2. The Story of the Kalendar Prince - This movement uses varied rhythms and rich orchestration to convey the tale of a wandering prince. It’s known for its mysterious and sometimes turbulent character, showcasing Rimsky-Korsakov's skill in depicting exotic narratives.

3. The Young Prince and the Young Princess - This lyrical, romantic movement contrasts with the previous ones, depicting a love story with flowing, tender melodies and delicate interplay between instruments.

4. Festival at Baghdad; The Sea; The Ship Breaks against a Cliff Surmounted by a Bronze Horseman - The final movement is lively and intense, revisiting themes from earlier sections to create a sense of culmination. The piece builds toward a dramatic conclusion as Scheherazade's story brings the sultan to spare her life.

Rimsky-Korsakov uses leitmotifs to enhance the narrative structure, a technique inspired by his contemporaries. The solo violin that symbolizes Scheherazade reappears throughout the piece, linking the movements and illustrating her storytelling abilities as she captivates the sultan with each tale.

Scheherazade uses vivid orchestration to blend Eastern-inspired melodies with Russian Romanticism.

00:52:08
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The Gaggle Music Club: Darius Milhaud's "La Création Du Monde"

This week's selection for The Gaggle Music Club is Darius Milhaud’s "La création du monde." Composed in 1923, the ballet in one act, is based on African creation myths, and is a pivotal work of early 20th-century music. It synthesizes African myth, jazz idioms and classical form.

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Milhaud was a central figure in the composer collective Les Six, along with Francis Poulenc, Arthur Honegger, Georges Auric, Louis Durey, and Germaine Tailleferre. Les Six were not bound by a formal manifesto. They did not compose in the same style or even collaborate extensively. They objected to what they deemed to be Wagner’s heaviness and Debussy and Ravel’s dreamy impressionism....

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"Jacobin" Magazine Celebrates A Strike Against Ol' Blue Eyes

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