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November 03, 2024
The Gaggle Music Club

This week's selection for The Gaggle Music Club is Nikolai Rimsky-Korsakov's Scheherazade op. 35. The work, inspired by the tales of the One Thousand and One Nights (also known as Arabian Nights), was composed in 1888. It is famous for its lush orchestration, exotic themes, and vivid storytelling, embodying Rimsky-Korsakov’s mastery in creating a musical world that feels both fantastical and deeply expressive.

The suite is structured in four movements, each evoking different stories and scenes from the Arabian Nights:

1. The Sea and Sinbad's Ship - This movement, with a majestic, sweeping melody, paints an image of the sea and the adventures of Sinbad. It introduces two key motifs: the stern, brass-led theme representing Sultan Shahryar; and a sinuous, solo violin theme representing Scheherazade.

2. The Story of the Kalendar Prince - This movement uses varied rhythms and rich orchestration to convey the tale of a wandering prince. It’s known for its mysterious and sometimes turbulent character, showcasing Rimsky-Korsakov's skill in depicting exotic narratives.

3. The Young Prince and the Young Princess - This lyrical, romantic movement contrasts with the previous ones, depicting a love story with flowing, tender melodies and delicate interplay between instruments.

4. Festival at Baghdad; The Sea; The Ship Breaks against a Cliff Surmounted by a Bronze Horseman - The final movement is lively and intense, revisiting themes from earlier sections to create a sense of culmination. The piece builds toward a dramatic conclusion as Scheherazade's story brings the sultan to spare her life.

Rimsky-Korsakov uses leitmotifs to enhance the narrative structure, a technique inspired by his contemporaries. The solo violin that symbolizes Scheherazade reappears throughout the piece, linking the movements and illustrating her storytelling abilities as she captivates the sultan with each tale.

Scheherazade uses vivid orchestration to blend Eastern-inspired melodies with Russian Romanticism.

00:52:08
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September 28, 2026
Monday Night At The Movies: "La Revolution Française" (1989)

Join Gagglers for "La Revolution Française"!
The screening starts at 3 p.m. ET sharp.
Share all of your thoughts, comments and criticisms on the Live Chat.

See you at 3 p.m. ET

02:33:59
September 27, 2026
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George Szamuely and Peter Lavelle discuss Switzerland's referendum on retaining its neutrality, and wonder whether the NATOization of the country can be averted.

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September 27, 2026
TG 2187: German FM Wadephul Meets Russian FM Lavrov: What's Behind It

George Szamuely and Peter Lavelle discuss the unexpected meeting in New York City between the Russian and German foreign ministers and wonder what was behind it, and what the likely consequences might be.

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In praise of John Pilger

An article when the Guardian was a quite different journal

https://www.theguardian.com/commentisfree/2014/may/13/ukraine-us-war-russia-john-pilger

12 hours ago

Going greatTM

UPDATE: The crashed aircraft appears to be a Tu-95MS strategic bomber, not a Tu-154 as initially reported.

Evidence: tail section debris matches the Tu-95.

The Tu-95MS is Russia's nuclear-capable strategic bomber, a key part of its nuclear triad, used extensively to launch cruise missiles against Ukraine.

12 hours ago

The world's biggest oil exporter mostly ships refined fuel.

The US exported 10.7M b/d in 2025, 14% of the global total.

Nearly 2/3 of that was gasoline, diesel and jet fuel.

🇸🇦Saudi Arabia is 2nd at 7.9M.
🇷🇺Russia 3rd at 6.6M.
🇨🇦Canada 4th at 4.1M.

The Middle East still ships 29% of the world's oil.
North America ships 20.5%.

2026 looks very different.
🇸🇦Saudi crude exports fell 20% in the first half.
🇰🇼Kuwait's fell by almost half.

Now Washington is weighing a diesel export ban.

The US became the top exporter by selling refined barrels, and a ban cuts straight into that business.
https://x.com/jackprandelli/status/2104922393990840745?s=20

January 21, 2023
More Leftie Than Thou
"Jacobin" Magazine Celebrates A Strike Against Ol' Blue Eyes

Here at "The Gaggle" we have very little time for the "more Leftie than thou" school of thought--that's the approach to life according to which the only thing that matters is whether you take the right position on every issue under the sun from Abortion to Zelensky. No one in the world meets the exacting standards of this school of thought; any Leftie leader anywhere is always selling out to the bankers and the capitalists. The perfect exemplar of this is the unreadable Jacobin magazine. 

The other day I came across this article from 2021. It's a celebration of trade union power. And not simply trade union power, but the use of trade union power to secure political goals. Of course (and this is always the case with the "more Leftie than thou" crowd), this glorious, never-to-be-forgotten moment on the history of organized labor took place many years ago--in the summer of 1974 to be exact. Yes, almost half a century has gone by since that thrilling moment when the working-class movement of Australia mobilized and prepared to seize the means of production, distribution and exchange. 

Well, not quite. Organized labor went into action against...Ol' Blue Eyes, the Chairman of the Board, the Voice; yes, Frank Sinatra. Why? What had Sinatra done? Sinatra was certainly very rich, and he owned a variety of properties and businesses. But if the Australian trade union movement were, understandably, searching for the bright, incandescent spark that would finally awaken the working class from its slumber there were surely richer, greedier, more dishonest, more decadent, above all more Australian individuals it could have discovered. Australia was never short of them. Rupert Murdoch immediately springs to mind. Why Sinatra?

 

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