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November 24, 2024
The Gaggle Music Club

Today's selection for The Gaggle Music Club is Francis Poulenc's Concerto for Two Pianos and Orchestra in D minor, commissioned by Princess Edmond de Polignac, and first performed in Venice on Sept. 5, 1932, with Poulenc and Jacques Février as the piano soloists.

The concerto draws inspiration from various styles, reflecting Poulenc’s eclectic approach:

One source was Mozart. Direct homages to Mozart’s piano concertos are clearly discernible, particularly in the lyrical second movement.

Another source was jazz: Poulenc was influenced by the jazz trends of the 1920s and 1930s. This is evident in the syncopations and rhythmic drive of the outer movements.

Another source was Balinese Gamelan--a traditional ensemble music form from Bali, Indonesia, characterized by vibrant and dynamic rhythms, and layered melodies. Poulenc had heard gamelan music at the 1931 Paris Colonial Exposition, and its influence on the piece is particularly audible in the percussive textures of the first movement.

Another source was obviously French popular music, with its characteristic wit and light-heartedness.

The concerto is in three movements:

Allegro ma non troppo: A lively and rhythmically vibrant opening, blending classical formality with modern energy.

Larghetto: A slow and lyrical second movement, often compared to the graceful and emotional style of Mozart.

Finale: Allegro molto: A spirited and humorous conclusion, filled with playful exchanges between the two pianos and the orchestra.

The Concerto for Two Pianos has become one of Poulenc’s most performed works and remains a staple of the piano duo repertoire. Pianists get to show off their virtuosity, we get to appreciate Poulenc’s ability to synthesize diverse influences into a charming and entertaining whole.

This performance dates from April 8, 2023, and features the Frankfurt Radio Symphony, conducted by Alain Altinoglu. The pianists are Lucas and Arthur Jussen.

00:20:58
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The Gaggle Music Club: Also Sprach Zarathustra By Richard Strauss

Today’s selection for The Gaggle Music Club is Richard Strauss's Also Sprach Zarathustra, Op. 30.

Composed in 1896, the tone poem is one of Richard Strauss’s most intellectually ambitious works., emerging as it did out of Strauss’s encounter with Friedrich Nietzsche’s "Also Sprach Zarathustra." Nietzsche's book was a humorous--albeit heavy-handed--attempt at writing an anti-religious tract in a religious style. Nietzsche mocked the New Testament by presenting his "Death of God" message via prophets, apostles, pseudo-moral sayings, liturgical speeches, sermons, parables and hymns. Zarathustra was a religious teacher advocating against religion.

Intrigued by Nietzsche's book, Strauss became fascinated with the idea of using music to address the philosopher's ideas about humanity in a Godless universe. He wanted to see whether music could be used to explore ideas rather than events or characters.

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More Leftie Than Thou
"Jacobin" Magazine Celebrates A Strike Against Ol' Blue Eyes

Here at "The Gaggle" we have very little time for the "more Leftie than thou" school of thought--that's the approach to life according to which the only thing that matters is whether you take the right position on every issue under the sun from Abortion to Zelensky. No one in the world meets the exacting standards of this school of thought; any Leftie leader anywhere is always selling out to the bankers and the capitalists. The perfect exemplar of this is the unreadable Jacobin magazine. 

The other day I came across this article from 2021. It's a celebration of trade union power. And not simply trade union power, but the use of trade union power to secure political goals. Of course (and this is always the case with the "more Leftie than thou" crowd), this glorious, never-to-be-forgotten moment on the history of organized labor took place many years ago--in the summer of 1974 to be exact. Yes, almost half a century has gone by since that thrilling moment when the working-class movement of Australia mobilized and prepared to seize the means of production, distribution and exchange. 

Well, not quite. Organized labor went into action against...Ol' Blue Eyes, the Chairman of the Board, the Voice; yes, Frank Sinatra. Why? What had Sinatra done? Sinatra was certainly very rich, and he owned a variety of properties and businesses. But if the Australian trade union movement were, understandably, searching for the bright, incandescent spark that would finally awaken the working class from its slumber there were surely richer, greedier, more dishonest, more decadent, above all more Australian individuals it could have discovered. Australia was never short of them. Rupert Murdoch immediately springs to mind. Why Sinatra?

 

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