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December 08, 2024
The Gaggle Music Club

Today is a very sad day. Damascus has fallen, and some very bad people are crowing and relishing further such successes. The Gaggle Music Club has therefore chosen a suitably sad piece of music. It is Maurice Ravel’s Pavane pour une infante défunte (Pavane for a Dead Princess).

Composed in 1899 and dedicated to Ravel’s patron, Princess Edmond de Polignac, Pavane is known for its hauntingly beautiful melody and understated elegance. The work was initially written for solo piano, but Ravel orchestrated it in 1910.

Despite its evocative title, Ravel claimed that the piece wasn’t meant to mourn any specific princess, and that the title was chosen primarily for its charm and alliteration. He described it as a nostalgic evocation of a slow Spanish court dance (pavane) as it might have been performed by an imaginary princess from the Renaissance.

The Pavane is simple and lyrical, with a gently flowing main theme that develops gradually. Marked "Très lent" (very slow), the piece has a reflective and serene quality. The stately rhythm echoes the measured pace of a traditional pavane.

The harmonic language makes frequent use of modal inflections and delicate dissonances, characteristic of Ravel’s impressionistic style.

The Pavane became immensely popular after its premiere, though Ravel later expressed mild dissatisfaction with the work, considering it a youthful effort.
Today, it is celebrated as a masterpiece of understated elegance and one of Ravel’s most popular compositions. It never fails to evoke feelings of melancholia and suppressed longing.

The pianist here is Alice Sara Ott.

00:07:25
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