TheGaggle
Politics • Culture • News
Our community is made up of those who value the freedom of speech, the right to debate and the promise of open, honest conversations.

We don't agree on everything but we never silence our followers and value every opinion on our channel.
Interested? Want to learn more about the community?
December 15, 2024
The Gaggle Music Club

This week's selection for The Gaggle Music Club is a crowd favorite: Antonín Dvořák's Symphony No. 7 in D minor, Op. 70. Composed in 1884-1885, the work is one of Dvořák's most dramatic and ambitious symphonies. The influence of Brahms is clearly apparent, as is Dvořák's Czech nationalist spirit.

Commissioned by the Royal Philharmonic Society in London, the symphony is distinctive for its somber tone and emotional depth. Dvořák began composing it in 1884 after attending the unveiling of a statue of Czech composer Bedřich Smetana.

First Movement (Allegro maestoso): The opening theme conveys a sense of urgency and sorrow, inspired partly by the political turmoil in Bohemia and by the the composer's grief over the death of his mother.

Second Movement (Poco adagio): It reflects a poignant, pastoral beauty with moments of wistfulness, evoking Czech landscapes and Dvořák’s love for his homeland.

Third Movement (Scherzo, Vivace): One of the most popular pieces of all of Dvořák's repertoire--it is exuberant, vibrant, rhythmically complex, and draws on Czech folk dance rhythms such as the furiant, so as to evoke a spirited contrast to the symphony's darker moments.

Finale (Allegro): The movement begins with tension and melancholy, and leads to a powerful and triumphant conclusion, expressing resolve through adversity.

The symphony received critical acclaim on its premiere, with audiences appreciating its blend of Romantic lyricism and nationalistic elements. It showcases Dvořák’s ability to balance personal expression with broader cultural themes, solidifying his place among the great symphonic composers.

This symphony, with its introspective and grand qualities, remains a cornerstone of the orchestral repertoire.

Here the work is performed by the Prague Symphony Orchestra, conducted by Jirí Belohlávek.

00:37:31
Interested? Want to learn more about the community?
What else you may like…
Videos
Posts
Articles
December 08, 2025
TG 2025: Does Trump's National Security Strategy Signal A Revolution In U.S. Foreign Policy

George Szamuely and Peter Lavelle continue discussing the Trump administration's new National Security Strategy, and wonder whether the very radical-sounding document portends a revolution in U.S. foreign policy.

01:47:52
December 08, 2025
TG 2025: Does Trump's National Security Strategy Signal A Revolution In U.S. Foreign Policy

George Szamuely and Peter Lavelle continue discussing the Trump administration's new National Security Strategy, and wonder whether the very radical-sounding document portends a revolution in U.S. foreign policy.

01:47:52
December 05, 2025
TG 2024: Trump's New National Security Strategy Scorns Europe

George Szamuely and Peter Lavelle discuss President Trump's newly-released National Security Strategy 2025, and agree that its most startling and unprecedented aspect is its scornful dismissal of Europe as a serious geopolitical player.

01:33:21
The Gaggle Book Club: “Show Trials: Stalinist Purges in Eastern Europe, 1948–1954” by George H. Hodos

Each week, The Gaggle Book Club recommends a book for Gagglers to read and—most important—uploads a pdf version of it.

Our practice is that we do not vouch for the reliability or accuracy of any book we recommend. Still less, do we necessarily agree with a recommended book's central arguments. However, any book we recommend will be of undoubted interest and intellectual importance.

Today's book club selection is "Show Trials: Stalinist Purges in Eastern Europe, 1948–1954" by George H. Hodos. Published in 1987, the book offers a comparative political history of the Stalinist purges in seven Eastern European “people’s democracies” from 1948, the year of the Stalin-Tito split, to 1954, the year after Stalin’s death.

Hodos's overall thesis is that the show trials were instruments of political discipline imposed by Moscow on its newly created satellite-states, designed to eliminate local autonomy, destroy potentially independent elites and enforce ideological conformity through terror.

Hodos was...

Show_Trials___Stalinist_Purges_in_Eastern_Europe,_1948-1954_--_George_H_Hodos;_Joseph_Stalin_--_Bloomsbury_USA,_New_York,_1987_--_Praeger_Publishers_--_9780275927837_--_219d61266ab448d9341f1ca05084d3ac_--_Anna’s_Archive.pdf
December 08, 2025
Monday Night At The Movies: "Mephisto" (1981)

Join Gagglers for "Mephisto"!
The screening starts at 3 p.m. ET sharp.
Share all of your thoughts, comments and criticisms on the Live Chat.

There are still issues with Locals. So, I uploaded the film on Rumble. So, you can click on the link, and watch the movie. The chat works same as before. See you at 3 p.m. ET

placeholder

GEORGE SZAMUELY: Yugoslavia was the blueprint for Ukraine | The Weight of Chains Podcast #005

Boris Malagurski

142K subscribers

Subscribe

1,293 views Premiered 2 hours ago THE WEIGHT OF CHAINS PODCAST

Our guest tonight is someone who’s been exposing the hypocrisy of Western foreign policy long before it became fashionable — or even allowed. George Szamuely is a senior research fellow at the Global Policy Institute, author of the book Bombs for Peace: NATO’s Humanitarian War on Yugoslavia, and a relentless critic of the so-called ‘liberal order’ that somehow always seems to justify war, while preaching peace. Szamuely’s work is essential for understanding how NATO's 1999 bombing of Yugoslavia laid the groundwork — not for stability, but for a dangerous precedent: one where international law is applied selectively, and ‘humanitarianism’ is just a cover for geopolitical ambition. We discuss NATO’s long march eastward, the EU’s ...

January 21, 2023
More Leftie Than Thou
"Jacobin" Magazine Celebrates A Strike Against Ol' Blue Eyes

Here at "The Gaggle" we have very little time for the "more Leftie than thou" school of thought--that's the approach to life according to which the only thing that matters is whether you take the right position on every issue under the sun from Abortion to Zelensky. No one in the world meets the exacting standards of this school of thought; any Leftie leader anywhere is always selling out to the bankers and the capitalists. The perfect exemplar of this is the unreadable Jacobin magazine. 

The other day I came across this article from 2021. It's a celebration of trade union power. And not simply trade union power, but the use of trade union power to secure political goals. Of course (and this is always the case with the "more Leftie than thou" crowd), this glorious, never-to-be-forgotten moment on the history of organized labor took place many years ago--in the summer of 1974 to be exact. Yes, almost half a century has gone by since that thrilling moment when the working-class movement of Australia mobilized and prepared to seize the means of production, distribution and exchange. 

Well, not quite. Organized labor went into action against...Ol' Blue Eyes, the Chairman of the Board, the Voice; yes, Frank Sinatra. Why? What had Sinatra done? Sinatra was certainly very rich, and he owned a variety of properties and businesses. But if the Australian trade union movement were, understandably, searching for the bright, incandescent spark that would finally awaken the working class from its slumber there were surely richer, greedier, more dishonest, more decadent, above all more Australian individuals it could have discovered. Australia was never short of them. Rupert Murdoch immediately springs to mind. Why Sinatra?

 

Only for Supporters
To read the rest of this article and access other paid content, you must be a supporter
Read full Article
See More
Available on mobile and TV devices
google store google store app store app store
google store google store app tv store app tv store amazon store amazon store roku store roku store
Powered by Locals