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December 15, 2024
The Gaggle Music Club

This week's selection for The Gaggle Music Club is a crowd favorite: Antonín Dvořák's Symphony No. 7 in D minor, Op. 70. Composed in 1884-1885, the work is one of Dvořák's most dramatic and ambitious symphonies. The influence of Brahms is clearly apparent, as is Dvořák's Czech nationalist spirit.

Commissioned by the Royal Philharmonic Society in London, the symphony is distinctive for its somber tone and emotional depth. Dvořák began composing it in 1884 after attending the unveiling of a statue of Czech composer Bedřich Smetana.

First Movement (Allegro maestoso): The opening theme conveys a sense of urgency and sorrow, inspired partly by the political turmoil in Bohemia and by the the composer's grief over the death of his mother.

Second Movement (Poco adagio): It reflects a poignant, pastoral beauty with moments of wistfulness, evoking Czech landscapes and Dvořák’s love for his homeland.

Third Movement (Scherzo, Vivace): One of the most popular pieces of all of Dvořák's repertoire--it is exuberant, vibrant, rhythmically complex, and draws on Czech folk dance rhythms such as the furiant, so as to evoke a spirited contrast to the symphony's darker moments.

Finale (Allegro): The movement begins with tension and melancholy, and leads to a powerful and triumphant conclusion, expressing resolve through adversity.

The symphony received critical acclaim on its premiere, with audiences appreciating its blend of Romantic lyricism and nationalistic elements. It showcases Dvořák’s ability to balance personal expression with broader cultural themes, solidifying his place among the great symphonic composers.

This symphony, with its introspective and grand qualities, remains a cornerstone of the orchestral repertoire.

Here the work is performed by the Prague Symphony Orchestra, conducted by Jirí Belohlávek.

00:37:31
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Monday Night At The Movies: "The Sorrow And The Pity" Part II (1969)

Join Gagglers for "The Sorrow and the Pity" Part II!
The screening starts at 3 p.m. ET sharp.
Share all of your thoughts, comments and criticisms on the Live Chat.

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December 25, 2025
The Gaggle Music Club: Also Sprach Zarathustra By Richard Strauss

Today’s selection for The Gaggle Music Club is Richard Strauss's Also Sprach Zarathustra, Op. 30.

Composed in 1896, the tone poem is one of Richard Strauss’s most intellectually ambitious works., emerging as it did out of Strauss’s encounter with Friedrich Nietzsche’s "Also Sprach Zarathustra." Nietzsche's book was a humorous--albeit heavy-handed--attempt at writing an anti-religious tract in a religious style. Nietzsche mocked the New Testament by presenting his "Death of God" message via prophets, apostles, pseudo-moral sayings, liturgical speeches, sermons, parables and hymns. Zarathustra was a religious teacher advocating against religion.

Intrigued by Nietzsche's book, Strauss became fascinated with the idea of using music to address the philosopher's ideas about humanity in a Godless universe. He wanted to see whether music could be used to explore ideas rather than events or characters.

By the mid-1890s, Strauss was one of Germany's most celebrated orchestral composers. Don Juan (1888) had announced his...

00:35:18
December 28, 2025
TG 2037: Zelensky Comes To Mar-A-Lago Trying To Entice Trump Into War

George Szamuely and Peter Lavelle discuss Ukraine President Zelensky's visit to President Trump at Mar-A-Lago, where he will tout his 20-point peace plan in order to ensnare the American president in a protracted war against Russia.

00:56:24
January 21, 2023
More Leftie Than Thou
"Jacobin" Magazine Celebrates A Strike Against Ol' Blue Eyes

Here at "The Gaggle" we have very little time for the "more Leftie than thou" school of thought--that's the approach to life according to which the only thing that matters is whether you take the right position on every issue under the sun from Abortion to Zelensky. No one in the world meets the exacting standards of this school of thought; any Leftie leader anywhere is always selling out to the bankers and the capitalists. The perfect exemplar of this is the unreadable Jacobin magazine. 

The other day I came across this article from 2021. It's a celebration of trade union power. And not simply trade union power, but the use of trade union power to secure political goals. Of course (and this is always the case with the "more Leftie than thou" crowd), this glorious, never-to-be-forgotten moment on the history of organized labor took place many years ago--in the summer of 1974 to be exact. Yes, almost half a century has gone by since that thrilling moment when the working-class movement of Australia mobilized and prepared to seize the means of production, distribution and exchange. 

Well, not quite. Organized labor went into action against...Ol' Blue Eyes, the Chairman of the Board, the Voice; yes, Frank Sinatra. Why? What had Sinatra done? Sinatra was certainly very rich, and he owned a variety of properties and businesses. But if the Australian trade union movement were, understandably, searching for the bright, incandescent spark that would finally awaken the working class from its slumber there were surely richer, greedier, more dishonest, more decadent, above all more Australian individuals it could have discovered. Australia was never short of them. Rupert Murdoch immediately springs to mind. Why Sinatra?

 

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