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December 15, 2024
The Gaggle Music Club

This week's selection for The Gaggle Music Club is a crowd favorite: Antonín Dvořák's Symphony No. 7 in D minor, Op. 70. Composed in 1884-1885, the work is one of Dvořák's most dramatic and ambitious symphonies. The influence of Brahms is clearly apparent, as is Dvořák's Czech nationalist spirit.

Commissioned by the Royal Philharmonic Society in London, the symphony is distinctive for its somber tone and emotional depth. Dvořák began composing it in 1884 after attending the unveiling of a statue of Czech composer Bedřich Smetana.

First Movement (Allegro maestoso): The opening theme conveys a sense of urgency and sorrow, inspired partly by the political turmoil in Bohemia and by the the composer's grief over the death of his mother.

Second Movement (Poco adagio): It reflects a poignant, pastoral beauty with moments of wistfulness, evoking Czech landscapes and Dvořák’s love for his homeland.

Third Movement (Scherzo, Vivace): One of the most popular pieces of all of Dvořák's repertoire--it is exuberant, vibrant, rhythmically complex, and draws on Czech folk dance rhythms such as the furiant, so as to evoke a spirited contrast to the symphony's darker moments.

Finale (Allegro): The movement begins with tension and melancholy, and leads to a powerful and triumphant conclusion, expressing resolve through adversity.

The symphony received critical acclaim on its premiere, with audiences appreciating its blend of Romantic lyricism and nationalistic elements. It showcases Dvořák’s ability to balance personal expression with broader cultural themes, solidifying his place among the great symphonic composers.

This symphony, with its introspective and grand qualities, remains a cornerstone of the orchestral repertoire.

Here the work is performed by the Prague Symphony Orchestra, conducted by Jirí Belohlávek.

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September 08, 2025
The Gaggle Music Club: Enescu’s Violin Sonata No. 3

This week's selection for The Gaggle Music Club is George Enescu’s Violin Sonata No. 3 in A minor, Op. 25.

George Enescu (1881–1955) is considered to be Romania’s greatest composer; he was also a violinist, pianist and conductor, and wrote in almost every genre. He combined Romanian folk idioms, with German classicism (Brahmsian rigor, Wagnerian chromaticism) and French impressionism (color, atmosphere, subtle harmony).

Born in 1881 in Liveni, a village in northeastern Romania, Enescu showed musical genius extremely early; he reportedly played the violin at age four, began composing at age five, entered the Vienna Conservatory at age seven and made his debut as a violinist in Vienna at age 10. At 14, he entered the Paris Conservatoire, where he studied composition with Massenet and Fauré. In Paris, he absorbed the music of Debussy and Ravel.

In 1901, Enescu composed his Romanian Rhapsodies Nos. 1 & 2, which to this day are his most popular and most frequently-performed works. During ...

00:25:14
September 10, 2025
TG 1964: Did Trump Collude With Netanyahu To Sabotage Yet Another Trump Peace Plan?

George Szamuely and Peter Lavelle discuss Israel's attack on Hamas leaders in Doha, Qatar, even as they were meeting to discuss President Trump's latest Gaza peace plan, and try to discern how much foreknowledge the U.S. had had of the impending mass assassination.

00:37:19
Live Chat
September 08, 2025
Monday Night At The Movies: "Mulholland Drive" (2001)

Chat.Join Gagglers for "Mulholland Drive"!
The screening starts at 3 p.m. ET sharp.
Share all of your thoughts, comments and criticisms on the Live Chat.

02:26:27
14 hours ago

Savage, black-on-white murder is anything but a rarity in the US. There was an author on Unz that used to make a list, and it was about 1 per day. It was really too sickening to read. Invariably there was no reason at all, except hatred.

From the mayor, to the judges to the magistrates, this is a story of racism from beginning to end.

By the way, there is audio of the murderer stating 'I got that white girl', just in case you had any doubt.

The Full Story of the Killing of Iryna Zarutska. The rot is much, much deeper than people realize.
Jared Taylor • September 10, 2025

https://www.unz.com/jtaylor/the-full-story-of-the-killing-of-iryna-zarutska/

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14 hours ago
22 hours ago
January 21, 2023
More Leftie Than Thou
"Jacobin" Magazine Celebrates A Strike Against Ol' Blue Eyes

Here at "The Gaggle" we have very little time for the "more Leftie than thou" school of thought--that's the approach to life according to which the only thing that matters is whether you take the right position on every issue under the sun from Abortion to Zelensky. No one in the world meets the exacting standards of this school of thought; any Leftie leader anywhere is always selling out to the bankers and the capitalists. The perfect exemplar of this is the unreadable Jacobin magazine. 

The other day I came across this article from 2021. It's a celebration of trade union power. And not simply trade union power, but the use of trade union power to secure political goals. Of course (and this is always the case with the "more Leftie than thou" crowd), this glorious, never-to-be-forgotten moment on the history of organized labor took place many years ago--in the summer of 1974 to be exact. Yes, almost half a century has gone by since that thrilling moment when the working-class movement of Australia mobilized and prepared to seize the means of production, distribution and exchange. 

Well, not quite. Organized labor went into action against...Ol' Blue Eyes, the Chairman of the Board, the Voice; yes, Frank Sinatra. Why? What had Sinatra done? Sinatra was certainly very rich, and he owned a variety of properties and businesses. But if the Australian trade union movement were, understandably, searching for the bright, incandescent spark that would finally awaken the working class from its slumber there were surely richer, greedier, more dishonest, more decadent, above all more Australian individuals it could have discovered. Australia was never short of them. Rupert Murdoch immediately springs to mind. Why Sinatra?

 

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