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December 15, 2024
The Gaggle Music Club

This week's selection for The Gaggle Music Club is a crowd favorite: Antonín Dvořák's Symphony No. 7 in D minor, Op. 70. Composed in 1884-1885, the work is one of Dvořák's most dramatic and ambitious symphonies. The influence of Brahms is clearly apparent, as is Dvořák's Czech nationalist spirit.

Commissioned by the Royal Philharmonic Society in London, the symphony is distinctive for its somber tone and emotional depth. Dvořák began composing it in 1884 after attending the unveiling of a statue of Czech composer Bedřich Smetana.

First Movement (Allegro maestoso): The opening theme conveys a sense of urgency and sorrow, inspired partly by the political turmoil in Bohemia and by the the composer's grief over the death of his mother.

Second Movement (Poco adagio): It reflects a poignant, pastoral beauty with moments of wistfulness, evoking Czech landscapes and Dvořák’s love for his homeland.

Third Movement (Scherzo, Vivace): One of the most popular pieces of all of Dvořák's repertoire--it is exuberant, vibrant, rhythmically complex, and draws on Czech folk dance rhythms such as the furiant, so as to evoke a spirited contrast to the symphony's darker moments.

Finale (Allegro): The movement begins with tension and melancholy, and leads to a powerful and triumphant conclusion, expressing resolve through adversity.

The symphony received critical acclaim on its premiere, with audiences appreciating its blend of Romantic lyricism and nationalistic elements. It showcases Dvořák’s ability to balance personal expression with broader cultural themes, solidifying his place among the great symphonic composers.

This symphony, with its introspective and grand qualities, remains a cornerstone of the orchestral repertoire.

Here the work is performed by the Prague Symphony Orchestra, conducted by Jirí Belohlávek.

00:37:31
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Live Chat
Monday Night At The Movies: "Body Heat" (1981)

Join Gagglers for "Body Heat"!
The screening starts at 3 p.m. ET sharp.
Share all of your thoughts, comments and criticisms on the Live Chat.

See you at 3 p.m. ET

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Monday Night At The Movies

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This Caused CONTROVERSY - Russia's Opposition Has NO Strategy to END the War!

Silicon Curtain

192K subscribers

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DESCRIPTION: Nigel Gould-Davies on the Russian Exiled Opposition: Sanctions, Strategy, and the War in Ukraine

Nigel Gould-Davies returns to discuss controversial articles he wrote about the Russian exiled opposition, arguing many share the radical goal of ending or “liquidating” the Putin regime yet lobby Western governments for restrained policies that undermine that objective. He critiques calls to narrow sanctions, push a postwar “Marshall Plan” for Russia, liberalize large-scale Russian immigration to Europe, and oppose transferring roughly $300B in frozen Russian central bank assets to Ukraine, contending these steps would aid Russia’s war capacity and pose counterintelligence risks. Gould-Davies stresses sanctions are essential to constraining the Russian war machine and that easing them would increase ...

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Today, former Russian Defense Minister Sergei Ivanov died after falling from a window at the age of 73. Once considered one of Vladimir Putin's closest allies and even a potential successor, Ivanov held several of Russia's most powerful positions, including Defense Minister, Security Council Secretary, and Kremlin Chief of Staff. The Kremlin confirmed his death.
https://x.com/MykhailoRohoza/status/2087984879006806113?s=20 defenestration in full effect

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More Leftie Than Thou
"Jacobin" Magazine Celebrates A Strike Against Ol' Blue Eyes

Here at "The Gaggle" we have very little time for the "more Leftie than thou" school of thought--that's the approach to life according to which the only thing that matters is whether you take the right position on every issue under the sun from Abortion to Zelensky. No one in the world meets the exacting standards of this school of thought; any Leftie leader anywhere is always selling out to the bankers and the capitalists. The perfect exemplar of this is the unreadable Jacobin magazine. 

The other day I came across this article from 2021. It's a celebration of trade union power. And not simply trade union power, but the use of trade union power to secure political goals. Of course (and this is always the case with the "more Leftie than thou" crowd), this glorious, never-to-be-forgotten moment on the history of organized labor took place many years ago--in the summer of 1974 to be exact. Yes, almost half a century has gone by since that thrilling moment when the working-class movement of Australia mobilized and prepared to seize the means of production, distribution and exchange. 

Well, not quite. Organized labor went into action against...Ol' Blue Eyes, the Chairman of the Board, the Voice; yes, Frank Sinatra. Why? What had Sinatra done? Sinatra was certainly very rich, and he owned a variety of properties and businesses. But if the Australian trade union movement were, understandably, searching for the bright, incandescent spark that would finally awaken the working class from its slumber there were surely richer, greedier, more dishonest, more decadent, above all more Australian individuals it could have discovered. Australia was never short of them. Rupert Murdoch immediately springs to mind. Why Sinatra?

 

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