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February 09, 2025
The Gaggle Book Club: "The Affirmative Action Empire" by Terry Martin

Each week, the Gaggle Book Club recommends a book for Gagglers to read and—most important—uploads a pdf version of it.

Our practice is that we do not vouch for the reliability or accuracy of any book we recommend. Still less, do we necessarily agree with a recommended book's central arguments. However, any book we recommend will be of undoubted interest and intellectual importance.

Today's book club selection is "The Affirmative Action Empire: Nations and Nationalism in the Soviet Union, 1923–1939," by Terry Martin. Published in 2001, the book is a major study of Soviet nationality policy in the interwar period. Martin challenges conventional view that the Soviet Union was the continuation of the Russian empire. To the contrary: he argues that the Soviet leaders implemented policies that actively promoted the cultural and political development of the non-Russian nationalities. Hence Martin's nomenclature: "the world's first affirmative action state."

According to Martin, the early Soviet state, sought to institutionalize and promote non-Russian national identities rather than suppress them. The Bolsheviks believed nationalism was a necessary transitional stage before reaching a communist, internationalist society. The goal was to modernize, educate and politically mobilize non-Russian ethnic groups while simultaneously fostering a Soviet identity.

Most important: early Soviet policies were designed not only to promote non-Russian national identities but also actively to downgrade Russian nationalism. This was part of the broader Bolshevik strategy to undermine traditional imperial structures and prevent any one ethnic group—especially the Russians—from dominating the new Soviet state. Martin emphasizes that Lenin and other early Bolshevik leaders saw Russian nationalism as a dangerous, reactionary force that could undermine their vision of a multiethnic, socialist state.

Since the Russian Empire had been dominated by ethnic Russians, there was a strong push to break Russian nationalist dominance and prevent a resurgence of Russian imperial thinking. In the Bolshevik worldview, nationalism was seen as a transitional stage on the way to international communism.

However, the Bolsheviks made a distinction: Non-Russian nationalism (Ukrainian, Georgian, Kazakh, etc.) was seen as potentially progressive, because it helped break the hold of Russian imperial rule. Russian nationalism, on the other hand, was seen as reactionary, since it was supposedly tied to Tsarist imperialism.

The Bolsheviks feared that Russian dominance would alienate non-Russian populations and push them toward anti-Soviet nationalist movements.
The korenizatsiya (nativization) policy aimed to promote local languages, cultures and elites in the non-Russian republics. National languages were made official in government and education. Indigenous elites were trained and placed in administrative positions, replacing Russian officials.

New republics, autonomous regions and ethnic-based territorial units were established, reinforcing the Soviet Union’s multiethnic structure.

Martin documents how the Soviet government deliberately weakened Russian cultural and political dominance during the korenizatsiya period. For example, Russian was not made the mandatory state language in the 1920s; local languages were promoted instead. There were explicit propaganda campaigns against "Great Russian chauvinism," which was seen as a threat to socialist unity.

Martin argues that, in a way, the USSR functioned as a kind of "anti-Russian Empire"—it was built on the ruins of the Tsarist system but was designed to prevent Russian ethnic dominance over other nationalities. The goal was to create a new supranational Soviet identity that would eventually replace both Russian and non-Russian nationalism.

To be sure, by the mid-1930s, Stalin moved away from indigenization policies and re-centralized power. While the Soviet Union remained officially multinational, the Russian language and culture regained dominance. The purges of the late 1930s disproportionately targeted non-Russian elites, reversing earlier affirmative action policies. The Soviet state increasingly promoted the Russian language as the common language of the USSR. Russian cultural and historical achievements were celebrated more openly. During the Great Patriotic War, Stalin fully embraced Russian nationalism as a unifying force.

Martin convincingly argues that the early Soviet state was actively anti-Russian nationalist in its policies, aiming to dismantle alleged Russian imperial dominance and promote local national identities. Save for the brief late-Stalin period, the USSR remained committed to an anti-Russia nationalist policy.

Khrushchev encouraged greater use of local languages in education and administration. Under Khrushchev and his successors non-Russians were increasingly promoted to leadership positions within the republics. Unlike Stalin, who had allowed some level of Russian Orthodox Church activity (especially during WWII), Khrushchev intensified anti-religious campaigns, shutting down churches and religious institutions across the USSR—including in Russia itself. By the late Brezhnev era, nationalism in the republics was growing, and the Kremlin did little to discourage it.

Martin's book is a fascinating account of how a rabidly anti-Russian group too over in Russia and set about dismantling the Russian language, culture, history and traditions. There's a lesson there somewhere.

Terry_Martin_The_Affirmative_Action_Empire_(The_Wilder_House_Series_in_Politics,_History_and_Culture)_Terry_Martin_-_The_Affirmative_Action_Empire__Nations_and_Nationalism_in_the_Soviet_Union,_1923-1939-Cornell_University_Press_(2001).pdf
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The Gaggle Music Club: Maurice Ravel’s Le Tombeau de Couperin

This week's selection for The Gaggle Music Club is Maurice Ravel’s Le Tombeau de Couperin. Composed between 1914 and 1917, the piece is one of Ravel's most poignant works. It is both a personal elegy and a musical homage. Ravel wrote it originally for the piano, but he later orchestrated four of its six movements.

Ravel began composing the piece before the First World War, but its final shape was affected by the war. The word tombeau in French Baroque music denotes a musical memorial. The piece however is not solely a tribute to François Couperin, the great French Baroque composer. It’s a broader homage to the French clavecinist tradition of the 18th century — including Jean-Henri D’Anglebert and Jean-Philippe Rameau.

More personally, each movement is dedicated to a friend of Ravel's who had died in the war. Ravel served in the war as a truck driver and lost many friends. He said of the suite: “The dead are sad enough, in their eternal silence.”

The work is neo-classical, ...

00:18:41
TG 1928: Tulsi Gabbard Discloses RussiaGate Receipts: Will It Make A Difference?

George Szamuely and Peter Lavelle discuss Director of National Intelligence Tulsi Gabbard's presentation of the case that the RussiaGate hoax was from the start a treasonous plot masterminded by President Barack Obama himself. Will the disclosure however make a difference?

00:43:35
TG 1927: Is Mike Huckabee Having An Epiphany?

George Szamuely and Peter Lavelle discuss the surprising series of angry confrontations U.S. Ambassador Mike Huckabee is having with Israeli leaders, almost as if he is unaware of Israel's long record of brutal indifference toward the fate of anyone who is not a Jewish Israeli.

01:18:10
Monday Night At The Movies: "Les diaboliques" (1955)

Dear Gagglers:

Monday is, and has always been, a profoundly depressing day. That's why we have decided to add a little bit of fun to it.

On Monday, July 21, we are holding another film screening. Gagglers can watch a movie and, as they do so, offer comments, random thoughts, aesthetic observations and critical insights in the Live Chat.

We will be screening the joint-winner of The Gaggle's "films with a surprise twist" poll: Henri-Georges Clouzot's "Les diaboliques," starring Véra Clouzot and Simone Signoret.

I am delighted to announce that, after a too-long absence, The Gaggle's resident film expert, Cynthia Holt, is returning to the screenings proffer her extraordinary knowledge and insightful observations.

The film will starts at 3 p.m. ET sharp.

See you at the movies.

https://www.imdb.com/title/tt0046911/?ref_=nv_sr_srsg_0_tt_8_nm_0_in_0_q_les%2520diaboliques

The Gaggle Book Club: "The Stern Gang: Ideology, Politics And Terror, 1940–1949" By Joseph L. Heller

Each week, The Gaggle Book Club recommends a book for Gagglers to read and—most important—uploads a pdf version of it.

Our practice is that we do not vouch for the reliability or accuracy of any book we recommend. Still less, do we necessarily agree with a recommended book's central arguments. However, any book we recommend will be of undoubted interest and intellectual importance.

Today's book club selection is Joseph L. Heller’s "The Stern Gang: Ideology, Politics and Terror, 1940–1949." Published in 1995, the book is considered to be the definitive intellectual history of the Stern Gang in English, and is an important contribution to the deconstruction of the Zionist myth and of extreme nationalist ideology underlying it.

Lehi (originally called “Irgun Zvai Leumi in Israel”) was a radical breakaway from the Irgun, which was itself an integral part of Revisionist Zionism led by Ze’ev Jabotinsky. Heller traces how Avraham “Yair” Stern, influenced by mystical nationalism and the Maccabean...

Joseph_Heller_-_The_Stern_Gang__Ideology,_Politics_and_Terror,_1940-1949-Routledge_(1995).pdf
57 minutes ago

NEW - Japan's far-right party makes electoral gains winning 16 seats, with an anti-globalist message, highlighting the increasing foreigners in Japan, suggesting a new constitution to restore some of the emperor’s political powers and more.

In 2022, Leader Sohei Kamiya won a seat in the upper house of parliament after saying he wouldn't sell out Japan to "Jewish capital."

https://www.disclose.tv/id/mdgrf9bop1/

@disclosetv Kamiya did not Epstein himself :)))

January 21, 2023
More Leftie Than Thou
"Jacobin" Magazine Celebrates A Strike Against Ol' Blue Eyes

Here at "The Gaggle" we have very little time for the "more Leftie than thou" school of thought--that's the approach to life according to which the only thing that matters is whether you take the right position on every issue under the sun from Abortion to Zelensky. No one in the world meets the exacting standards of this school of thought; any Leftie leader anywhere is always selling out to the bankers and the capitalists. The perfect exemplar of this is the unreadable Jacobin magazine. 

The other day I came across this article from 2021. It's a celebration of trade union power. And not simply trade union power, but the use of trade union power to secure political goals. Of course (and this is always the case with the "more Leftie than thou" crowd), this glorious, never-to-be-forgotten moment on the history of organized labor took place many years ago--in the summer of 1974 to be exact. Yes, almost half a century has gone by since that thrilling moment when the working-class movement of Australia mobilized and prepared to seize the means of production, distribution and exchange. 

Well, not quite. Organized labor went into action against...Ol' Blue Eyes, the Chairman of the Board, the Voice; yes, Frank Sinatra. Why? What had Sinatra done? Sinatra was certainly very rich, and he owned a variety of properties and businesses. But if the Australian trade union movement were, understandably, searching for the bright, incandescent spark that would finally awaken the working class from its slumber there were surely richer, greedier, more dishonest, more decadent, above all more Australian individuals it could have discovered. Australia was never short of them. Rupert Murdoch immediately springs to mind. Why Sinatra?

 

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