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February 16, 2025
The Gaggle Music Club: Heitor Villa-Lobos's "Bachianas Brasileiras No. 3"

This week's selection for The Gaggle Music Club is Heitor Villa-Lobos's "Bachianas Brasileiras No. 3." Composed in 1938, the piece is a remarkable fusion of Brazilian musical elements with the contrapuntal techniques of Johann Sebastian Bach.

The work is part of a larger collection of nine suites collectively titled "Bachianas Brasileiras," which Villa-Lobos composed between 1930 and 1945. The compositions reflect Villa-Lobos's ambition to synthesize Brazilian folk and popular music with Baroque forms and styles. The "Bachianas Brasileiras" series blend the intricate counterpoint characteristic of Bach with the rich, rhythmic and melodic tapestries of Brazilian music.

"Bachianas Brasileiras No. 3," premiered in New York on Feb. 19, 1947, and featured pianist José Vieira Brandão with Villa-Lobos himself conducting the CBS Orchestra.

The suite comprises four movements, each uniquely intertwining Baroque influences with Brazilian musical idioms:

Prelúdio (Ponteio): This opening movement, titled "Ponteio," refers to a style of guitar playing prevalent in Brazilian folk music. The movement features a lyrical and contemplative theme, developed through intricate counterpoint reminiscent of Bach's preludes. The piano introduces the main theme, which is then elaborated upon by the orchestra.

Fantasia (Devaneio): This has a dreamy and improvisational character. The movement showcases the piano's virtuosic potential, weaving elaborate melodic lines that float above a lush orchestral backdrop. The fluidity and freedom of the piano passages evoke the spontaneity of a daydream, while the orchestra provides harmonic grounding.

Ária (Modinha): The third movement draws inspiration from the "modinha," a sentimental Brazilian song form. This Ária presents a poignant and expressive melody, first introduced by the piano and then taken up by various orchestral sections.

Toccata (Picapau): Concluding the suite is the Toccata, subtitled "Picapau," which translates to "woodpecker." This movement is characterized by its rhythmic vitality and energetic drive, mirroring the persistent tapping of a woodpecker. The piano and orchestra engage in a dynamic and spirited exchange, with syncopated rhythms and brisk tempos propelling the music forward.

In this performance from 2015 at the Béla Bartok National Concert Hall, Zóltan Kocsis conducts the Hungarian National Philharmonic, and Jean Louis Steuerman plays the piano.

00:29:34
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Portugal And Drugs

During today's Live Stream, the subject of Portugal's supposed success in addressing its drug problem through decriminalization came up. I promised to post a couple of skeptical works on the matter. Here they are. There are more of course, but this is a start.

https://archive.ph/sK93w

portugal_fact_sheet_8-25-10.pdf

Thanks, Trump, the libertarian president

NEW - Trump uses Palantir’s AI Foundry to collect and centralize Americans' data from federal agencies, potentially enhancing surveillance and creating detailed profiles from government data.

https://www.disclose.tv/id/jog9xmdczr/

@disclosetv

January 21, 2023
More Leftie Than Thou
"Jacobin" Magazine Celebrates A Strike Against Ol' Blue Eyes

Here at "The Gaggle" we have very little time for the "more Leftie than thou" school of thought--that's the approach to life according to which the only thing that matters is whether you take the right position on every issue under the sun from Abortion to Zelensky. No one in the world meets the exacting standards of this school of thought; any Leftie leader anywhere is always selling out to the bankers and the capitalists. The perfect exemplar of this is the unreadable Jacobin magazine. 

The other day I came across this article from 2021. It's a celebration of trade union power. And not simply trade union power, but the use of trade union power to secure political goals. Of course (and this is always the case with the "more Leftie than thou" crowd), this glorious, never-to-be-forgotten moment on the history of organized labor took place many years ago--in the summer of 1974 to be exact. Yes, almost half a century has gone by since that thrilling moment when the working-class movement of Australia mobilized and prepared to seize the means of production, distribution and exchange. 

Well, not quite. Organized labor went into action against...Ol' Blue Eyes, the Chairman of the Board, the Voice; yes, Frank Sinatra. Why? What had Sinatra done? Sinatra was certainly very rich, and he owned a variety of properties and businesses. But if the Australian trade union movement were, understandably, searching for the bright, incandescent spark that would finally awaken the working class from its slumber there were surely richer, greedier, more dishonest, more decadent, above all more Australian individuals it could have discovered. Australia was never short of them. Rupert Murdoch immediately springs to mind. Why Sinatra?

 

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