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The Gaggle Book Club: Christopher Lasch's’s "The Revolt Of The Elites And The Betrayal Of Democracy"

Each week, the Gaggle Book Club recommends a book for Gagglers to read and—most important—uploads a pdf version of it.

Our practice is that we do not vouch for the reliability or accuracy of any book we recommend. Still less, do we necessarily agree with a recommended book's central arguments. However, any book we recommend will be of undoubted interest and intellectual importance.

This week's selection is Christopher Lasch's "The Revolt of the Elites and the Betrayal of Democracy." Published in 1994, the title of Lasch's work consciously inverts the title of José Ortega y Gasset’s classic from 1930, "The Revolt of the Masses," written as a warning about mass society. Lasch's argument was that the problem wasn't the masses rising up; rather it was the elites turning their backs on democracy.

Writing in the aftermath of World War I and the collapse of the old European order, Ortega had argued that modern society had empowered "the masses", and that the masses were mediocre, anti-intellectual and hostile to excellence and leadership. Ortega claimed that civilization depends on a cultivated minority guiding society, because the average person is not capable of serious political, cultural or moral leadership.

Lasch flipped Ortega on his head: The problem today isn't the revolt of the masses. It’s the revolt of the elites—their abandonment of democratic responsibility. Elites had seceded from the common life of the nation. The masses are often more attached to traditions of family, community and democracy than the elites are. The new elites treat ordinary people with contempt. Democracy is failing not because of ignorant masses but because of a cosmopolitan elite that owes no loyalty to nation or community.

Born in Omaha, Nebraska, and raised in a liberal, intellectual family, Lasch was initially influenced by the writings of Herbert Marcuse and C. Wright Mills. Early in his career he was identified as one of the leading figures of the New Left. Over time, though, he became highly critical of modern liberalism, his writings mixing ideas from the left and the right in idiosyncratic ways that today no longer seem so unusual.

"The Revolt of the Elites" caps a trilogy of cultural-political critiques. "The Culture of Narcissism" (1979) described an America characterized by personal emptiness and social atomization. "The True and Only Heaven" (1991) provided a sweeping attack on the ideology of Progress and a defense of populist traditions.

In "The Revolt of the Elites," Lasch argued that today’s elites are highly mobile, meritocratic and self-defined by achievement. They live in global cities, move easily across borders and detach themselves from national loyalties or civic responsibilities. Traditional elites on the other hand—however flawed—had a sense of noblesse oblige. Not so today's elites.
“The new meritocracy," according to Lasch, "prides itself on its freedom from inherited obligations.”

Lasch argued that democracy depends on a sense of shared fate between classes and between individuals and their communities. When elites detach themselves, democracy dies—because public life becomes hollow, and only private avarice remains. Elites celebrate "diversity" because it shields them from real critique. Real differences—economic power, class, control of institutions—are papered over by focusing obsessively on racial, ethnic and cultural differences.

Today's elites hold ordinary people in contempt. Ordinary people are seen as backward, racist, parochial, clinging to religion family, and community. Elites view democracy itself--government by such people--as suspect.

Writing in the heyday of Bill Clinton and the much-vaunted Third Way, Lasch brilliantly foresaw the rise of a disconnected global elite as well as the rebellions (Trump, Brexit, the Yellow Vests, Le Pen, Orbán, AFD) its rule would inevitable trigger. Lasch's critique of empty but noxious concepts such as "diversity" as a tool of elite power is sharp and remains highly relevant.

More than 30 years after its publication, "The Revolt of the Elites" remains a devastating cultural and political critique, showing how meritocracy, globalization and technocracy have hollowed out real democracy. Today, Lasch's insights seem even more prescient than they were at the time of writing.

The_revolt_of_the_elites___and_the_betrayal_of_democracy_--_Christopher_Lasch,_Francis_fournier,_C__Lasch_--_New_York,_1996,_©1995_--_W__W__Norton___--_9780393036992_--_26156d279f67c94539759c5197e514ce.pdf
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September 08, 2025
The Gaggle Music Club: Enescu’s Violin Sonata No. 3

This week's selection for The Gaggle Music Club is George Enescu’s Violin Sonata No. 3 in A minor, Op. 25.

George Enescu (1881–1955) is considered to be Romania’s greatest composer; he was also a violinist, pianist and conductor, and wrote in almost every genre. He combined Romanian folk idioms, with German classicism (Brahmsian rigor, Wagnerian chromaticism) and French impressionism (color, atmosphere, subtle harmony).

Born in 1881 in Liveni, a village in northeastern Romania, Enescu showed musical genius extremely early; he reportedly played the violin at age four, began composing at age five, entered the Vienna Conservatory at age seven and made his debut as a violinist in Vienna at age 10. At 14, he entered the Paris Conservatoire, where he studied composition with Massenet and Fauré. In Paris, he absorbed the music of Debussy and Ravel.

In 1901, Enescu composed his Romanian Rhapsodies Nos. 1 & 2, which to this day are his most popular and most frequently-performed works. During ...

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Live Chat
September 08, 2025
Monday Night At The Movies: "Mulholland Drive" (2001)

Chat.Join Gagglers for "Mulholland Drive"!
The screening starts at 3 p.m. ET sharp.
Share all of your thoughts, comments and criticisms on the Live Chat.

02:26:27
14 hours ago

Savage, black-on-white murder is anything but a rarity in the US. There was an author on Unz that used to make a list, and it was about 1 per day. It was really too sickening to read. Invariably there was no reason at all, except hatred.

From the mayor, to the judges to the magistrates, this is a story of racism from beginning to end.

By the way, there is audio of the murderer stating 'I got that white girl', just in case you had any doubt.

The Full Story of the Killing of Iryna Zarutska. The rot is much, much deeper than people realize.
Jared Taylor • September 10, 2025

https://www.unz.com/jtaylor/the-full-story-of-the-killing-of-iryna-zarutska/

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14 hours ago
22 hours ago
January 21, 2023
More Leftie Than Thou
"Jacobin" Magazine Celebrates A Strike Against Ol' Blue Eyes

Here at "The Gaggle" we have very little time for the "more Leftie than thou" school of thought--that's the approach to life according to which the only thing that matters is whether you take the right position on every issue under the sun from Abortion to Zelensky. No one in the world meets the exacting standards of this school of thought; any Leftie leader anywhere is always selling out to the bankers and the capitalists. The perfect exemplar of this is the unreadable Jacobin magazine. 

The other day I came across this article from 2021. It's a celebration of trade union power. And not simply trade union power, but the use of trade union power to secure political goals. Of course (and this is always the case with the "more Leftie than thou" crowd), this glorious, never-to-be-forgotten moment on the history of organized labor took place many years ago--in the summer of 1974 to be exact. Yes, almost half a century has gone by since that thrilling moment when the working-class movement of Australia mobilized and prepared to seize the means of production, distribution and exchange. 

Well, not quite. Organized labor went into action against...Ol' Blue Eyes, the Chairman of the Board, the Voice; yes, Frank Sinatra. Why? What had Sinatra done? Sinatra was certainly very rich, and he owned a variety of properties and businesses. But if the Australian trade union movement were, understandably, searching for the bright, incandescent spark that would finally awaken the working class from its slumber there were surely richer, greedier, more dishonest, more decadent, above all more Australian individuals it could have discovered. Australia was never short of them. Rupert Murdoch immediately springs to mind. Why Sinatra?

 

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