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The Gaggle Music Club: Beethoven’s Egmont Overture

This week's selection for The Gaggle Music Club is Beethoven’s Egmont Overture, Op. 84, one of the great man's most political and dramatic compositions.

Composed in 1809–1810, the overture was part of incidental music for Johann Wolfgang von Goethe’s 1787 play "Egmont," which recounted the story of Count Egmont, a 16th-century Dutch nobleman who was executed by the Spanish for opposing the Inquisition and tyranny of the Duke of Alba. Goethe’s Egmont was a tragedy of political martyrdom and individual resistance against tyranny.

In 1809, Beethoven was living in Vienna, which was under siege by Napoleon’s troops. The Imperial Court Theatre in Vienna commissioned Beethoven to write music for a revival of Goethe’s play. The complete incidental music includes the Overture and nine numbers. However, it is only the Overture that has endured as a concert staple.

The Overture is in sonata form, a musical drama in miniature, encapsulating the play’s arc: oppression, resistance, martyrdom and posthumous triumph. Egmont was one of several works, in which Beethoven explored political themes, the best-known examples being the Eroica Symphony and Fidelio.

The work encapsulates Beethoven's ideals of heroism, freedom and moral courage. The addition of the victory coda demonstrates Beethoven’s belief in artistic and moral redemption beyond tragedy.

Dramatic dynamic contrasts, intense orchestral color and thematic transformation show Beethoven at his most theatrical and emotionally potent. The use of a "narrative" overture (telling the arc of a story within a single piece) would influence later composers like Berlioz and Wagner.

The Egmont Overture has been performed for political commemorations, especially in contexts of resistance or liberation. It was used in World War II broadcasts by the BBC into Nazi-occupied Europe. It was also used in radio broadcasts during the 1956 Hungarian uprising.

Beethoven’s Egmont Overture is more than a prelude—it is a musical manifesto. It transforms Goethe’s story into an allegory of oppression, struggle and ultimate liberation. It is a masterwork of form and expression that stands as a cornerstone in Beethoven’s middle period and a bridge between classical structure and romantic subjectivity.

In this performance Kurt Masur conducts the Gewandhaus Orchestra.

00:09:35
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November 19, 2025
TG 2015: Gilbert Doctorow: War & Peace & Trump

George Szamuely and Peter Lavelle sat down with political analyst and Russia scholar Gilbert Doctorow to discuss the state of the war in Ukraine and the rumors that President Trump has put forward a 28-point peace plan to end the conflict.

00:52:47
November 17, 2025
The Gaggle Music Club: Tchaikovsky’s Symphony No. 5 In E Minor

This week’s selection for The Gaggle Music Club is Tchaikovsky’s Symphony No. 5 in E minor, Op. 64.

Tchaikovsky began working on the Fifth Symphony in 1888, at the height of his fame as a composer. His ballets (Swan Lake, The Sleeping Beauty), operas (Eugene Onegin) and symphonies had already established his reputation in Russia and abroad.

Traveling extensively, Tchaikovsky studied European orchestral styles and techniques. This is evident in the Fifth Symphony, with its Brahmsian symphonic architecture and cyclical recurrence of themes. The symphony's lush harmonic language and emotional expressivity also show traces of Wagnerian chromaticism and Russian lyricism.

With expressive woodwinds, lyrical string passages and dramatic brass climaxes, Tchaikovsky's orchestration in the Fifth was far richer than it had been in his earlier symphonies.

The symphony is built around one short fate motif that changes character across the movements. Tchaikovsky introduces the fate motif in the first movement. It ...

00:52:53
Live Chat
November 17, 2025
Monday Night At The Movies: "The Sting" (1973)

Join Gagglers for "The Sting"!
The screening starts at 3 p.m. ET sharp.
Share all of your thoughts, comments and criticisms on the Live Chat.

02:09:16
November 11, 2025
Monday Night At The Movies

Please choose which one of the following 8 movies you would like to have screened next Monday, Nov. 17.

The theme is "fakes, fraudsters and conmen."

Please continue to vote after Nov. 17, so that we can determine the runner-up. The runner-up will be screened on Nov. 24.

11 hours ago

This motherfucker is either a master-level troll or is just off the rails, man

President Trump has now labeled Susie Wiles the most powerful woman in the world, saying she could wipe out any country with just one phone call.

He adds that he isn’t even sure he could wield that kind of power himself, but he’s confident she can. https://x.com/ShadowofEzra/status/1991229882991305148

12 hours ago

It seems hard to believe
European civilisation can ever vanish. And yet, you know, it has happened once. All the life-giving human activities that we lump together under the word 'civilisation' have been obliterated once in western Europe, when the Barbarians ran over the Roman Empire. For two centuries, the heart of European civilisation almost stopped beating. We got through
by the skin of our teeth. In recent years we've had an uneasy feeling that this may happen again.
Kenneth Clark

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January 21, 2023
More Leftie Than Thou
"Jacobin" Magazine Celebrates A Strike Against Ol' Blue Eyes

Here at "The Gaggle" we have very little time for the "more Leftie than thou" school of thought--that's the approach to life according to which the only thing that matters is whether you take the right position on every issue under the sun from Abortion to Zelensky. No one in the world meets the exacting standards of this school of thought; any Leftie leader anywhere is always selling out to the bankers and the capitalists. The perfect exemplar of this is the unreadable Jacobin magazine. 

The other day I came across this article from 2021. It's a celebration of trade union power. And not simply trade union power, but the use of trade union power to secure political goals. Of course (and this is always the case with the "more Leftie than thou" crowd), this glorious, never-to-be-forgotten moment on the history of organized labor took place many years ago--in the summer of 1974 to be exact. Yes, almost half a century has gone by since that thrilling moment when the working-class movement of Australia mobilized and prepared to seize the means of production, distribution and exchange. 

Well, not quite. Organized labor went into action against...Ol' Blue Eyes, the Chairman of the Board, the Voice; yes, Frank Sinatra. Why? What had Sinatra done? Sinatra was certainly very rich, and he owned a variety of properties and businesses. But if the Australian trade union movement were, understandably, searching for the bright, incandescent spark that would finally awaken the working class from its slumber there were surely richer, greedier, more dishonest, more decadent, above all more Australian individuals it could have discovered. Australia was never short of them. Rupert Murdoch immediately springs to mind. Why Sinatra?

 

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