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The Gaggle Music Club: Aram Khachaturian’s Violin Concerto in D minor

This week's selection for The Gaggle Music Club is Aram Khachaturian’s Violin Concerto in D minor. Composed in 1940, the work is one of the major violin concertos of the 20th century and constitutes an important moment within Soviet musical history.

Aram Khachaturian (1903–1978) was a Soviet composer of Armenian ancestry who was one of the leading musical figures of the USSR. Born in Tbilisi, Georgia, into an Armenian family, he initially studied science but switched to music in the 1920s when he moved to Moscow. There, he studied at the Gnessin Institute and later at the Moscow Conservatory.

Khachaturian became a central figure in Soviet music, much admired for his colorful orchestration, use of folk rhythms and accessibility. Along with Dmitry Shostakovich and Sergei Prokofiev, he was part of the Soviet "big three," though his style was generally more tuneful and extroverted than that of the other two.

The Violin Concerto in D minor premiered in Moscow on Nov. 16, 1940. David Oistrakh, to whom the concerto was dedicated, was the soloist. Oistrakh had earlier premiered Prokofiev’s first violin concerto. Armenian and Georgian folk music saturate the concerto in melody and rhythm. Khachaturian composed the piece during a summer vacation in the Caucasus.

The concerto is in three movements:

I. Allegro con fermezza: The mood is exuberant and full of rhythmic drive. It opens with a bold orchestral statement, followed by a vigorous, folk-like theme for the soloist.

II. Andante sostenuto: The mood is lyrical and melancholic. It opens with a brooding theme in the orchestra, before the violin enters with a soaring, deeply expressive melody evoking Armenian laments.

III. Allegro vivace: The mood is exuberant, dance-like, extroverted, filled with folk dance rhythms and asymmetrical meters. The piece ends in a brilliant and dazzling coda.

Khachaturian's Violin Concerto is one of his most successful and enduring concert works, alongside his Piano Concerto (1936) and Cello Concerto (1946). While the piano concerto is more experimental in harmony and orchestration, the Violin Concerto is more mature in its integration of folk style with classical form.

The work represents the peak of his pre-war orchestral output and confirms his talent for synthesizing national color with concert virtuosity. It reflected the Soviet ideal of national music: accessible, folk-based, optimistic and technically impressive. Along with the concertos by Prokofiev, Shostakovich and Bartók, it is as a major mid-20th century contribution to the violin concerto genre. It also offered a distinctively non-Western voice, showcasing Armenian and Caucasian idioms for an international audience.

Khachaturian’s Violin Concerto in D minor is a vibrant, colorful and emotionally rich work that distills Armenian folk idioms into a Romantic-classical concerto form. It is one of the composer’s masterpieces, and a milestone in the music of the Soviet era. It is a favorite with audiences on account of its virtuosity and exotic flair—and it confirms Khachaturian’s status as a major 20th century composer.

In this performance from May 2016, the soloist is Eva Šulić, and Tomislav Fačini conducts the Zagreb Philharmonic orchestra.

00:40:58
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December 01, 2025
The Gaggle Music Club: Alban Berg's “Lyric Suite”

This week’s selection for The Gaggle Music Club is Alban Berg's “Lyric Suite.” Composed during 1925–26, the work is a twelve-tone string quartet that secretly encodes a forbidden love affair.

Berg wrote the suite during the time he was emotionally involved with Hanna Fuchs-Robettin, the wife of a Prague businessman and sister of writer Franz Werfel. Berg was married to Helene Nahowski, a noble and socially prominent Viennese woman. The romance therefore had to be kept clandestine.

The work was for many years interpreted as a purely abstract serial composition. However, in 1976, musicologist George Perle discovered a marked-up score of the suite in Hanna’s library. The score contained personal markings in Berg’s hand, secret dedications, references to private meetings and quotations from operas with erotic or tragic meaning.

Berg’s “Lyric Suite” is thus a rigorously constructed twelve-tone composition and a coded love confession—Berg’s most intimate emotional ...

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TG 2023: The Witkoff-Kushner Mission To Moscow: Is The End Any Closer?

George Szamuely and Peter Lavelle discuss the Witkoff-Kushner mission to Moscow, and wonder whether President Trump's emissaries' 5-hour meeting with President Putin has brought the war any closer to a conclusion.

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November 30, 2025
TG 2024: Distinguished Historian Doesn't Distinguish Himself

George Szamuely and Peter Lavelle discuss an interview given to the "Telegraph" by Antony Beevor, in which the eminent military historian shows himself to be unable to rise above trite cliches when it comes to describing the war in Ukraine.

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"WE Refused Diplomacy" - Col. Daniel Davis vs. Gen. Ben Hodges On Russia/Ukraine War...

Mario Nawfal

150K subscribers

802 views Premiered 76 minutes ago

Join this channel to get access to perks:    / @marionawfal   Is Russia winning this war or is Putin bleeding out behind the propaganda? U.S. General Ben Hodges and Colonel Daniel Davis go head-to-head on the battlefield, the politics, and the future of the entire region. Nothing was off limits. They clashed on:

Whether Russia’s goal is territory or the total destruction of Ukraine’s military

Why Pokrovsk is close to falling and what that really means for the front

If Russia has air supremacy, the manpower advantage, and the industrial base to grind Ukraine down

Why Ukrainian brigades are collapsing from manpower shortages while Russia stockpiles weapons for a much bigger fight

Whether NATO is already in a “low-level war” with Moscow

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People will insist that Putin's 'approach' is working in Ukraine. But, it will hardly be said to be working if we end up in a nuclear war. Yes, it will be directly the fault of the Europeans, but if your body has become gently floating radioactive ash, you will not be in a position to smugly point fingers.

Dr. Gilbert Doctorow : Are US/Russian Negotiations a Waste of Time?

22 hours ago

Yaaaaaay, AI judges
ⁿᵉʷˢ Barron Trump 🇺🇸
@BarronTNews_
Cont de comentarii
🚨JUST IN: Elon Musk is basically trying to flip the whole court system upside down. He’s talking about an AI judge that can look at a case and spit out a decision in seconds. No lawyers dragging things out for months. No endless filings. None of the nonsense that turns simple disputes into life-ruining bills.

And honestly, you can already see why the people who profit from the current mess are freaking out. A fast, clean system with no games? That scares the hell out of them. They’ve built careers on delays and confusion.

Musk is basically saying: “Why does justice take years when the facts are right there?”
And he’s not wrong. The only people who hate this idea are the ones who know their power depends on keeping everything slow and impossible.

January 21, 2023
More Leftie Than Thou
"Jacobin" Magazine Celebrates A Strike Against Ol' Blue Eyes

Here at "The Gaggle" we have very little time for the "more Leftie than thou" school of thought--that's the approach to life according to which the only thing that matters is whether you take the right position on every issue under the sun from Abortion to Zelensky. No one in the world meets the exacting standards of this school of thought; any Leftie leader anywhere is always selling out to the bankers and the capitalists. The perfect exemplar of this is the unreadable Jacobin magazine. 

The other day I came across this article from 2021. It's a celebration of trade union power. And not simply trade union power, but the use of trade union power to secure political goals. Of course (and this is always the case with the "more Leftie than thou" crowd), this glorious, never-to-be-forgotten moment on the history of organized labor took place many years ago--in the summer of 1974 to be exact. Yes, almost half a century has gone by since that thrilling moment when the working-class movement of Australia mobilized and prepared to seize the means of production, distribution and exchange. 

Well, not quite. Organized labor went into action against...Ol' Blue Eyes, the Chairman of the Board, the Voice; yes, Frank Sinatra. Why? What had Sinatra done? Sinatra was certainly very rich, and he owned a variety of properties and businesses. But if the Australian trade union movement were, understandably, searching for the bright, incandescent spark that would finally awaken the working class from its slumber there were surely richer, greedier, more dishonest, more decadent, above all more Australian individuals it could have discovered. Australia was never short of them. Rupert Murdoch immediately springs to mind. Why Sinatra?

 

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