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The Gaggle Music Club: Ottorino Respighi’s "Ancient Airs and Dances"

This week's selection of The Gaggle Music Club is Ottorino Respighi’s "Ancient Airs and Dances." The composition consists of a set of three orchestral suites composed between 1917 and 1932, based on lute pieces from the 16th and 17th centuries.

Ottorino Respighi (1879–1936) was an Italian composer, musicologist, conductor and orchestrator. He studied composition in Bologna and later trained in orchestration under Nikolai Rimsky-Korsakov in Russia. The Russian master-orchestrator strongly influenced Respighi's approach to tone color. Respighi went on to become one of the most important figures in Italian music in the early 20th century. A significant part of Respighi’s output was devoted to reviving and reinterpreting early music. He created orchestral versions of lute pieces, Gregorian chant and harpsichord works. Unlike his contemporaries in Italy, he had little time for atonality and serialism.

For "Ancient Airs and Dances," Respighi, a skilled musicologist, drew on transcriptions of Renaissance and early Baroque Italian and French lute music compiled by Oscar Chilesotti. The three suites that comprise Ancient Airs do not form a trilogy in the narrative sense, but are unified by their approach. Respighi transforms early dance and song forms into rich, orchestral textures while preserving the melodic essence of the originals.

Respighi did not simply orchestrate old lute music. He re-harmonized it, enriched its texture and invented transitions and connecting material. It resulted in a kind of neo-Renaissance impressionism—historical melodies are enveloped in modern harmonic colors and a Debussyan orchestral timbre.

The Ancient Airs and Dances proved to be very influential. It led to a revival of early music. At a time when much Renaissance music was known only to specialists, Respighi brought it to concert audiences.

Respighi was a pioneer in the neoclassical movement, although never embraced Stravinsky’s irony or rhythmic asymmetry.

Respighi also had an impact on film composers: His ability to evoke past eras through lush orchestration influenced film music. Composers like Miklós Rózsa, Bernard Herrmann and even John Williams owe some inspiration to his treatment of historical material.

At the time of their premieres, the suites were warmly received—seen as elegant and cultured, yet also emotionally appealing. Critics appreciated Respighi’s ability to balance respect for old forms with imaginative modern scoring. Today, the Ancient Airs and Dances remain among the most-performed of Respighi’s works.

00:44:59
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Monday Night At The Movies: "Shadow Of A Doubt" (1943)

Join Gagglers for "Shadow of a Doubt"!
The screening starts at 3 p.m. ET sharp.
Share all of your thoughts, comments and criticisms on the Live Chat.

01:47:49
The Gaggle Music Club: Kleine Dreigroschenmusik (“Little Threepenny Music”) By Kurt Weill

This week's offering from The Gaggle Music Club is Kurt Weill's Kleine Dreigroschenmusik (“Little Threepenny Music”). This suite, based on Weill's music for Die Dreigroschenoper ("The Threepenny Opera" ), premiered in 1928, the same year as the musical play, written by Bertolt Brecht.

Die Dreigroschenoper premiered on Aug. 31, 1928 at Berlin’s Theater am Schiffbauerdamm (Bertolt Brecht’s home base). The work was a savage, ironic hybrid of opera, musical and political satire. A modernist retelling of John Gay's "The Beggar’s Opera" from 1728, the Brecht-Weill collaboration was at once hilarious and deeply cynical. In Brecht's view, under capitalism, the banker and the criminal are one and the same. aIn fact, the criminal is preferable since he doesn't conceal himself behind bourgeois hypocrisy.

“What is the robbing of a bank compared to the founding of a bank?” is one of the musical play's famous lines. However, Die Dreigroschenoper was no Marxist, let alone Communist, didactic tract. ...

00:22:40
November 09, 2025
TG 2010: Ursula Von Der Leyen Continues Setting Up Police State In Europe

George Szamuely and Peter Lavelle discuss E.U. Commission President Ursula von der Leyen's latest creation, the European Center for Democratic Resilience, and conclude that it is yet another part of her project to create a continent-wide police state in Europe.

00:43:59
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November 09, 2025
The Gaggle Book Club: “France On Trial: The Case Of Marshal Pétain” by Julian Jackson

Every week--or almost every week--The Gaggle Book Club recommends a book for Gagglers to read and—most important—uploads a pdf version of it.

Our practice is that we do not vouch for the reliability or accuracy of any book we recommend. Still less, do we necessarily agree with a recommended book's central arguments. However, any book we recommend will be of undoubted interest and intellectual importance.

Today's book club selection is “France on Trial: The Case of Marshal Pétain” by Julian Jackson. Published in 2023, book focuses on the 1945 trial of Marshal Philippe Pétain, the head of the Vichy regime in France during World War II. Julian Jackson, emeritus professor of history at Queen Mary College, University of London, uses the trial to examine broader themes of French national identity, collaboration, memory and justice after the war.

Jackson's thesis is that while it was Pétain who stood trial, it was France itself that was being judged: its wartime choices, its memory, its institutions. The Pétain ...

Julian_Jackson_-_France_on_Trial__The_Case_of_Marshal_Pétain-Harvard_University_Press_(2023).pdf

Sorry, Nabiullina again.

By John Helmer, Moscow
  @bears_with

Russians are crying over the milk they can no longer afford to buy. The reason is that their income isn’t keeping up with the rapid rise in the price of milk, butter, and cheese.

Elvira Nabiullina (lead image, left), Governor of the Central Bank of Russia (CBR), is to blame.

The explanation, according to the National Association of Milk Producers (Soyuzmoloko) and dairy industry experts, is that Nabiullina’s policy of keeping the CBR’s key interest rate high is driving the economy into loss of demand and supply, falling investment, output and  income, and at the same time rising prices combining altogether into a recession spiral.

https://johnhelmer.org/russians-are-crying-over-the-spilled-milk/

January 21, 2023
More Leftie Than Thou
"Jacobin" Magazine Celebrates A Strike Against Ol' Blue Eyes

Here at "The Gaggle" we have very little time for the "more Leftie than thou" school of thought--that's the approach to life according to which the only thing that matters is whether you take the right position on every issue under the sun from Abortion to Zelensky. No one in the world meets the exacting standards of this school of thought; any Leftie leader anywhere is always selling out to the bankers and the capitalists. The perfect exemplar of this is the unreadable Jacobin magazine. 

The other day I came across this article from 2021. It's a celebration of trade union power. And not simply trade union power, but the use of trade union power to secure political goals. Of course (and this is always the case with the "more Leftie than thou" crowd), this glorious, never-to-be-forgotten moment on the history of organized labor took place many years ago--in the summer of 1974 to be exact. Yes, almost half a century has gone by since that thrilling moment when the working-class movement of Australia mobilized and prepared to seize the means of production, distribution and exchange. 

Well, not quite. Organized labor went into action against...Ol' Blue Eyes, the Chairman of the Board, the Voice; yes, Frank Sinatra. Why? What had Sinatra done? Sinatra was certainly very rich, and he owned a variety of properties and businesses. But if the Australian trade union movement were, understandably, searching for the bright, incandescent spark that would finally awaken the working class from its slumber there were surely richer, greedier, more dishonest, more decadent, above all more Australian individuals it could have discovered. Australia was never short of them. Rupert Murdoch immediately springs to mind. Why Sinatra?

 

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