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The Gaggle Music Club: Carl Nielsen's Symphony No. 4, "The Inextinguishable"

This week's selection for The Gaggle Music Club is Carl Nielsen's Symphony No. 4, "The Inextinguishable." Composed between 1914 and 1916 during the Great War, the symphony is frequently described as Nielsen's greatest work—in terms of ambition, originality and long-term influence.

Unquestionably Denmark’s greatest composer, Carl Nielsen (1865–1931) was born into a modest family on the island of Funen and developed into one of the most original symphonic voices of the early 20th century. His style is characterized by contrapuntal clarity, structural innovation and a fascination with dynamic opposition—conflict and resolution are central to his symphonic thought. Nielsen also contributed significantly to chamber music, concertos, choral works and songs.

The war deeply disturbed Nielsen, and the symphony reflects his anguish. He saw Europe’s civilization, art and values under siege. Nonetheless, he wanted to assert that life persists, fights, renews itself—and that music embodies this same vitality. The symphony expresses the indestructibility of the human spirit and of music itself.

The symphony features a struggle between opposing forces: turbulence and serenity, chaos and lyricism. Its structure is continuous--there are no breaks between movements--creating a sense of growth, development and narrative.

Though Symphony No. 4 was composed as a continuous whole, it nonetheless contains four connected sections.

The work opens with shocking, eruptive energy—the music seems already in the middle of a struggle. A sense of restlessness and organic growth pervades.

The second movement is a more lyrical, dance-like interlude, but the tension relaxes but is never fully absent.

The third movement is warm and hymn-like, yet shadowed by unease. It provides emotional depth and momentary spiritual repose amid the turbulence.

The fourth movement begins with a renewed sense of conflict, and gradually escalates toward a dramatic climax. The symphony ends in a radiant affirmation of life, with a bold, unifying final theme.

Nielsen's Symphony No. 4 bridges the classical optimism of his earlier works (Symphony No. 1 and No. 3) and the modernist, dissonant ambiguity of his later works (Symphony No. 5). It is the first of his symphonies to abandon conventional movement breaks, anticipating similar experiments by Sibelius and others.

Nielsen' Symphony No. 4 is today it is widely performed and recorded. Its structural boldness and use of musical conflict have influenced later composers such as Malcolm Arnold and Peter Maxwell Davies.

In this performance from 2020, the Danish National Symphony Orchestra is conducted by chief conductor Fabio Luisi.

00:35:57
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November 21, 2025
TG 2016: Trump's 28-Point Plan: The Beginning Of The End?

George Szamuely and Peter Lavelle discuss the 28-point peace plan, ascribed to President Trump, to settle the war in Ukraine and to bring the Russia-NATO standoff to an end, and wonder how seriously we should take it.

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November 19, 2025
TG 2015: Gilbert Doctorow: War & Peace & Trump

George Szamuely and Peter Lavelle sat down with political analyst and Russia scholar Gilbert Doctorow to discuss the state of the war in Ukraine and the rumors that President Trump has put forward a 28-point peace plan to end the conflict.

00:52:47
November 17, 2025
The Gaggle Music Club: Tchaikovsky’s Symphony No. 5 In E Minor

This week’s selection for The Gaggle Music Club is Tchaikovsky’s Symphony No. 5 in E minor, Op. 64.

Tchaikovsky began working on the Fifth Symphony in 1888, at the height of his fame as a composer. His ballets (Swan Lake, The Sleeping Beauty), operas (Eugene Onegin) and symphonies had already established his reputation in Russia and abroad.

Traveling extensively, Tchaikovsky studied European orchestral styles and techniques. This is evident in the Fifth Symphony, with its Brahmsian symphonic architecture and cyclical recurrence of themes. The symphony's lush harmonic language and emotional expressivity also show traces of Wagnerian chromaticism and Russian lyricism.

With expressive woodwinds, lyrical string passages and dramatic brass climaxes, Tchaikovsky's orchestration in the Fifth was far richer than it had been in his earlier symphonies.

The symphony is built around one short fate motif that changes character across the movements. Tchaikovsky introduces the fate motif in the first movement. It ...

00:52:53
November 11, 2025
Monday Night At The Movies

Please choose which one of the following 8 movies you would like to have screened next Monday, Nov. 17.

The theme is "fakes, fraudsters and conmen."

Please continue to vote after Nov. 17, so that we can determine the runner-up. The runner-up will be screened on Nov. 24.

The death of Maga can't come soon enough

MTG flew to NYC to stand outside the courthouse supporting Trump during his trials, campaigned around the country for him and 100% supports his agenda, but because she supported releasing the Epstein files -- like any sane, decent person (and 427 other House members) -- these wackos viciously attack her ... because Mr. Loyality did.
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Paul A. Szypula
@Bubblebathgirl
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12 h
Răspuns către @mtgreenee
Take your official statement and shove it. Nobody cares. You’re a traitor. That’s all you’ll ever be remembered as. https://x.com/AnnCoulter/status/1992098967484559671?s=20

How to pay a politician

January 21, 2023
More Leftie Than Thou
"Jacobin" Magazine Celebrates A Strike Against Ol' Blue Eyes

Here at "The Gaggle" we have very little time for the "more Leftie than thou" school of thought--that's the approach to life according to which the only thing that matters is whether you take the right position on every issue under the sun from Abortion to Zelensky. No one in the world meets the exacting standards of this school of thought; any Leftie leader anywhere is always selling out to the bankers and the capitalists. The perfect exemplar of this is the unreadable Jacobin magazine. 

The other day I came across this article from 2021. It's a celebration of trade union power. And not simply trade union power, but the use of trade union power to secure political goals. Of course (and this is always the case with the "more Leftie than thou" crowd), this glorious, never-to-be-forgotten moment on the history of organized labor took place many years ago--in the summer of 1974 to be exact. Yes, almost half a century has gone by since that thrilling moment when the working-class movement of Australia mobilized and prepared to seize the means of production, distribution and exchange. 

Well, not quite. Organized labor went into action against...Ol' Blue Eyes, the Chairman of the Board, the Voice; yes, Frank Sinatra. Why? What had Sinatra done? Sinatra was certainly very rich, and he owned a variety of properties and businesses. But if the Australian trade union movement were, understandably, searching for the bright, incandescent spark that would finally awaken the working class from its slumber there were surely richer, greedier, more dishonest, more decadent, above all more Australian individuals it could have discovered. Australia was never short of them. Rupert Murdoch immediately springs to mind. Why Sinatra?

 

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