TheGaggle
Politics • Culture • News
Our community is made up of those who value the freedom of speech, the right to debate and the promise of open, honest conversations.

We don't agree on everything but we never silence our followers and value every opinion on our channel.
Interested? Want to learn more about the community?
October 13, 2025
The Gaggle Music Club: Vaughan Williams’s Fantasia On A Theme by Thomas Tallis

This week’s selection for The Gaggle Music Club is Vaughan Williams’s Fantasia on a Theme by Thomas Tallis. Composed in 1910, and revised in 1913 and revised again in 1919, the work is one of the most radiant and distinctive English orchestral works of the 20th century.

At the turn of the 20th century, England’s musical culture was in the midst of rediscovering its own past. Composers such as Vaughan Williams, Gustav Holst, Edward Elgar and Frederick Delius were seeking to free themselves from German and French Romantic music styles and to develop a distinctly English voice in classical music.

Vaughan Williams was at the center of this movement. Between 1903 and 1906, he was editing The English Hymnal — a project that profoundly shaped his musical outlook. While preparing the hymnal, he delved deeply into Tudor and early Stuart church music, including the works of Thomas Tallis (c1505–1585), William Byrd (1540-1623) and Orlando Gibbons (1583-1625). It was in the course of this editorial work that he encountered the Tallis theme that would become the basis of the Fantasia.

In 1567, Thomas Tallis contributed nine psalm tunes to the Psalter published by Archbishop Matthew Parker (Queen Elizabeth I’s first Archbishop of Canterbury). Each tune was paired with a metrical English psalm translation. The melody that caught Vaughan Williams’s imagination was Tallis’s setting for Psalm 2 (“Why fumeth in fight”). Vaughan Williams discovered this melody in Parker’s Psalter and then reused it in harmonized form as hymn no. 92 in The English Hymnal (1906).

After studying with Maurice Ravel in Paris, Vaughan Williams returned to England inspired by new ideas about orchestral color and texture. In 1909, the Three Choirs Festival commissioned a new work from him for its 1910 Gloucester Cathedral program. Vaughan Williams chose to base his new composition on the Tallis psalm tune he had edited four years earlier.
The work premiered on Sept. 6, 1910, in Gloucester Cathedral, conducted by the composer, as part of a program including “Elgar’s Dream of Gerontius.”

Vaughan Williams described his purpose as creating a “tune for the glory of God.” The Fantasia evokes the ancient spiritual heritage of English sacred music. In effect, it is both a homage to Tallis and a manifesto for an English musical Renaissance — one rooted not in imitation of the Continent but in rediscovery of native tradition.

In this performance from the 2012 Proms at the Royal Albert Hall, the BBC National Orchestra of Wales is conducted by Tadaaki Otaka.

00:16:29
Interested? Want to learn more about the community?
What else you may like…
Videos
Posts
Articles
TG 2018: Europeans Launch Attack On Trump's 28-Point Ukraine Plan

George Szamuely and Peter Lavelle discuss this weekend's concerted onslaught by NATO's European contingent on President Trump's 28-point peace plan for Ukraine, and wonder whether the attack will succeed.

01:23:05
TG 2017: MTG Calls It Quits: The Right Call?

George Szamuely and Peter Lavelle discuss Congresswoman Marjorie Taylor Greene's abrupt resignation from the U.S. House of Representatives, and debate whether this was a smart move on her part.

00:26:56
November 21, 2025
TG 2016: Trump's 28-Point Plan: The Beginning Of The End?

George Szamuely and Peter Lavelle discuss the 28-point peace plan, ascribed to President Trump, to settle the war in Ukraine and to bring the Russia-NATO standoff to an end, and wonder how seriously we should take it.

01:35:08
Monday Night At The Movies: "Elmer Gantry" (1960)

Dear Gagglers:

Monday is, and has always been, a profoundly depressing day. That's why we have decided to add a little bit of fun to it.

On Monday, Nov. 24, we are holding another film screening. Gagglers can watch a movie and, as they do so, offer comments, random thoughts, aesthetic observations and critical insights in the Live Chat.

We will be screening the runner-up of The Gaggle's "fakes, fraudsters and conmen" poll: Richard Brooks's brilliantly-acted drama "Elmer Gantry," based on Sinclair Lewis's novel, starring Burt Lancaster and Jean Simmons.

https://www.imdb.com/title/tt0053793/?ref_=fn_t_1

The film will starts at 3 p.m. ET sharp. Please join us.

November 11, 2025
Monday Night At The Movies

Please choose which one of the following 8 movies you would like to have screened next Monday, Nov. 17.

The theme is "fakes, fraudsters and conmen."

Please continue to vote after Nov. 17, so that we can determine the runner-up. The runner-up will be screened on Nov. 24.

12 hours ago

BREAKING: President Trump has shut down the Department of Government Efficiency (DOGE)

The agency was originally scheduled to last until July 4, 2026

They are blanketing the earth with Internet from space to onboard over 1 billion 'unbanked' people...

To plug them into the digital control grid and ultimately the IoB - Internet of Bodies...

A Transhuman Agenda merging mankind and AI... https://x.com/Spiro_Ghost/status/1992688245763887398?s=20

January 21, 2023
More Leftie Than Thou
"Jacobin" Magazine Celebrates A Strike Against Ol' Blue Eyes

Here at "The Gaggle" we have very little time for the "more Leftie than thou" school of thought--that's the approach to life according to which the only thing that matters is whether you take the right position on every issue under the sun from Abortion to Zelensky. No one in the world meets the exacting standards of this school of thought; any Leftie leader anywhere is always selling out to the bankers and the capitalists. The perfect exemplar of this is the unreadable Jacobin magazine. 

The other day I came across this article from 2021. It's a celebration of trade union power. And not simply trade union power, but the use of trade union power to secure political goals. Of course (and this is always the case with the "more Leftie than thou" crowd), this glorious, never-to-be-forgotten moment on the history of organized labor took place many years ago--in the summer of 1974 to be exact. Yes, almost half a century has gone by since that thrilling moment when the working-class movement of Australia mobilized and prepared to seize the means of production, distribution and exchange. 

Well, not quite. Organized labor went into action against...Ol' Blue Eyes, the Chairman of the Board, the Voice; yes, Frank Sinatra. Why? What had Sinatra done? Sinatra was certainly very rich, and he owned a variety of properties and businesses. But if the Australian trade union movement were, understandably, searching for the bright, incandescent spark that would finally awaken the working class from its slumber there were surely richer, greedier, more dishonest, more decadent, above all more Australian individuals it could have discovered. Australia was never short of them. Rupert Murdoch immediately springs to mind. Why Sinatra?

 

Only for Supporters
To read the rest of this article and access other paid content, you must be a supporter
Read full Article
See More
Available on mobile and TV devices
google store google store app store app store
google store google store app tv store app tv store amazon store amazon store roku store roku store
Powered by Locals