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October 13, 2025
The Gaggle Music Club: Vaughan Williams’s Fantasia On A Theme by Thomas Tallis

This week’s selection for The Gaggle Music Club is Vaughan Williams’s Fantasia on a Theme by Thomas Tallis. Composed in 1910, and revised in 1913 and revised again in 1919, the work is one of the most radiant and distinctive English orchestral works of the 20th century.

At the turn of the 20th century, England’s musical culture was in the midst of rediscovering its own past. Composers such as Vaughan Williams, Gustav Holst, Edward Elgar and Frederick Delius were seeking to free themselves from German and French Romantic music styles and to develop a distinctly English voice in classical music.

Vaughan Williams was at the center of this movement. Between 1903 and 1906, he was editing The English Hymnal — a project that profoundly shaped his musical outlook. While preparing the hymnal, he delved deeply into Tudor and early Stuart church music, including the works of Thomas Tallis (c1505–1585), William Byrd (1540-1623) and Orlando Gibbons (1583-1625). It was in the course of this editorial work that he encountered the Tallis theme that would become the basis of the Fantasia.

In 1567, Thomas Tallis contributed nine psalm tunes to the Psalter published by Archbishop Matthew Parker (Queen Elizabeth I’s first Archbishop of Canterbury). Each tune was paired with a metrical English psalm translation. The melody that caught Vaughan Williams’s imagination was Tallis’s setting for Psalm 2 (“Why fumeth in fight”). Vaughan Williams discovered this melody in Parker’s Psalter and then reused it in harmonized form as hymn no. 92 in The English Hymnal (1906).

After studying with Maurice Ravel in Paris, Vaughan Williams returned to England inspired by new ideas about orchestral color and texture. In 1909, the Three Choirs Festival commissioned a new work from him for its 1910 Gloucester Cathedral program. Vaughan Williams chose to base his new composition on the Tallis psalm tune he had edited four years earlier.
The work premiered on Sept. 6, 1910, in Gloucester Cathedral, conducted by the composer, as part of a program including “Elgar’s Dream of Gerontius.”

Vaughan Williams described his purpose as creating a “tune for the glory of God.” The Fantasia evokes the ancient spiritual heritage of English sacred music. In effect, it is both a homage to Tallis and a manifesto for an English musical Renaissance — one rooted not in imitation of the Continent but in rediscovery of native tradition.

In this performance from the 2012 Proms at the Royal Albert Hall, the BBC National Orchestra of Wales is conducted by Tadaaki Otaka.

00:16:29
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TG 2165: Ian Proud: Where Did All The Diplomats Go?

George Szamuely and Peter Lavelle sat down for a conversation with long-serving former UK diplomat Ian Proud to discuss: Whatever happened to the craft of diplomacy, a skill Europeans, including the British, once possessed in abundance?

To order Ian Proud's novel: https://www.waterstones.com/book/searching/ian-t-proud/9781739543136

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TG 2164: Putin Warns West: "You Seize Our Ships, We Seize Yours"

George Szamuely and Peter Lavelle discuss Russian President Putin's stark warning to the West: Russia will retaliate against any seizure of Russian vessels by Western countries by seizure of Western vessels.

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Live Chat
Monday Night At The Movies: "Body Heat" (1981)

Join Gagglers for "Body Heat"!
The screening starts at 3 p.m. ET sharp.
Share all of your thoughts, comments and criticisms on the Live Chat.

See you at 3 p.m. ET

01:53:12
Monday Night At The Movies

Please choose which one of the following 8 movies you would like to have screened next Monday, Aug. 10.

To mark the dog-days of August, the theme of this poll is heatwaves and extreme heat in films.

Please continue to vote in this poll after Aug. 10, so that we can determine the runner-up. The runner-up will be screened on Aug. 17.

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The Trump and Witkoff families are opening a bank in Florida. The investors in this bank are undisclosed. It will not have to follow FDIC rules.

I smell a money-laundering opportunity.
https://x.com/PiperK/status/2088517170770931770?s=20

Amid the narrative that the "US is losing" or "run by Israel" —there are no serious attempts to understand Washington's grand strategy.

On the Substack charts for 4 months straight: how the US took on Iran, Venezuela, Russia and seized the planet's fuel.
https://x.com/richimedhurst/status/2088404648793121182?s=20

This Caused CONTROVERSY - Russia's Opposition Has NO Strategy to END the War!

Silicon Curtain

192K subscribers

Aug 14, 2026

DESCRIPTION: Nigel Gould-Davies on the Russian Exiled Opposition: Sanctions, Strategy, and the War in Ukraine

Nigel Gould-Davies returns to discuss controversial articles he wrote about the Russian exiled opposition, arguing many share the radical goal of ending or “liquidating” the Putin regime yet lobby Western governments for restrained policies that undermine that objective. He critiques calls to narrow sanctions, push a postwar “Marshall Plan” for Russia, liberalize large-scale Russian immigration to Europe, and oppose transferring roughly $300B in frozen Russian central bank assets to Ukraine, contending these steps would aid Russia’s war capacity and pose counterintelligence risks. Gould-Davies stresses sanctions are essential to constraining the Russian war machine and that easing them would increase ...

January 21, 2023
More Leftie Than Thou
"Jacobin" Magazine Celebrates A Strike Against Ol' Blue Eyes

Here at "The Gaggle" we have very little time for the "more Leftie than thou" school of thought--that's the approach to life according to which the only thing that matters is whether you take the right position on every issue under the sun from Abortion to Zelensky. No one in the world meets the exacting standards of this school of thought; any Leftie leader anywhere is always selling out to the bankers and the capitalists. The perfect exemplar of this is the unreadable Jacobin magazine. 

The other day I came across this article from 2021. It's a celebration of trade union power. And not simply trade union power, but the use of trade union power to secure political goals. Of course (and this is always the case with the "more Leftie than thou" crowd), this glorious, never-to-be-forgotten moment on the history of organized labor took place many years ago--in the summer of 1974 to be exact. Yes, almost half a century has gone by since that thrilling moment when the working-class movement of Australia mobilized and prepared to seize the means of production, distribution and exchange. 

Well, not quite. Organized labor went into action against...Ol' Blue Eyes, the Chairman of the Board, the Voice; yes, Frank Sinatra. Why? What had Sinatra done? Sinatra was certainly very rich, and he owned a variety of properties and businesses. But if the Australian trade union movement were, understandably, searching for the bright, incandescent spark that would finally awaken the working class from its slumber there were surely richer, greedier, more dishonest, more decadent, above all more Australian individuals it could have discovered. Australia was never short of them. Rupert Murdoch immediately springs to mind. Why Sinatra?

 

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