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October 13, 2025
The Gaggle Music Club: Vaughan Williams’s Fantasia On A Theme by Thomas Tallis

This week’s selection for The Gaggle Music Club is Vaughan Williams’s Fantasia on a Theme by Thomas Tallis. Composed in 1910, and revised in 1913 and revised again in 1919, the work is one of the most radiant and distinctive English orchestral works of the 20th century.

At the turn of the 20th century, England’s musical culture was in the midst of rediscovering its own past. Composers such as Vaughan Williams, Gustav Holst, Edward Elgar and Frederick Delius were seeking to free themselves from German and French Romantic music styles and to develop a distinctly English voice in classical music.

Vaughan Williams was at the center of this movement. Between 1903 and 1906, he was editing The English Hymnal — a project that profoundly shaped his musical outlook. While preparing the hymnal, he delved deeply into Tudor and early Stuart church music, including the works of Thomas Tallis (c1505–1585), William Byrd (1540-1623) and Orlando Gibbons (1583-1625). It was in the course of this editorial work that he encountered the Tallis theme that would become the basis of the Fantasia.

In 1567, Thomas Tallis contributed nine psalm tunes to the Psalter published by Archbishop Matthew Parker (Queen Elizabeth I’s first Archbishop of Canterbury). Each tune was paired with a metrical English psalm translation. The melody that caught Vaughan Williams’s imagination was Tallis’s setting for Psalm 2 (“Why fumeth in fight”). Vaughan Williams discovered this melody in Parker’s Psalter and then reused it in harmonized form as hymn no. 92 in The English Hymnal (1906).

After studying with Maurice Ravel in Paris, Vaughan Williams returned to England inspired by new ideas about orchestral color and texture. In 1909, the Three Choirs Festival commissioned a new work from him for its 1910 Gloucester Cathedral program. Vaughan Williams chose to base his new composition on the Tallis psalm tune he had edited four years earlier.
The work premiered on Sept. 6, 1910, in Gloucester Cathedral, conducted by the composer, as part of a program including “Elgar’s Dream of Gerontius.”

Vaughan Williams described his purpose as creating a “tune for the glory of God.” The Fantasia evokes the ancient spiritual heritage of English sacred music. In effect, it is both a homage to Tallis and a manifesto for an English musical Renaissance — one rooted not in imitation of the Continent but in rediscovery of native tradition.

In this performance from the 2012 Proms at the Royal Albert Hall, the BBC National Orchestra of Wales is conducted by Tadaaki Otaka.

00:16:29
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TG 2028: Germany's Merz Likens Putin To Hitler in Order To Ensure Escalation

George Szamuely and Peter Lavelle discuss the meanderings and maneuverings of the Ukrainian peace talks, including Chancellor Friedrich Merz's likening of Putin to Hitler, which are all geared toward ensuring the continuation of the war.

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December 12, 2025
TG 2027: NATO's Rutte: Europe Must Get Ready For World War III

George Szamuely and Peter Lavelle analyze in detail NATO Secretary-General Mark Rutte's extraordinary screed in which he invokes Ronald Reagan's "Evil Empire" motif and promises Europeans that they will soon see war on the scale of world wars I and II on their continent.

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December 10, 2025
TG 2026: Zelensky Tries To Get Cute With Election Gambit

George Szamuely discusses Ukraine President Zelensky's ploy to take up President Trump's suggestion that Ukraine hold a presidential election as a way of getting, through the back door, an unconditional ceasefire as well as a NATO military presence in the country.

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December 04, 2025
Monday Night At The Movies

Please choose which one of the following 8 movies you would like to have screened next Monday, Dec. 8.

The theme is "the moral ambiguities of World War II."

Please continue to vote after Dec. 8, so that we can determine the runner-up. The runner-up will be screened on Dec. 15.

17 hours ago

https://x.com/shanaka86/status/2000057734419620155?s=20

Nikola Mikovic:
"NIS, majority-owned by Gazprom, represents a 'suitcase without a handle' for the Kremlin – difficult to carry, yet not easy to abandon. For the Serbian authorities, the company’s current situation is a double-edged sword: it causes economic problems, but nationalizing it could hurt relations with Moscow." https://policypress.cy/serbia-on-edge-over-russian-energy-ties/

"Parts of the Russian elite, fully aware of Beijing’s upper hand, undoubtedly seek to improve relations with the United States, possibly as a counterweight to China’s dominance in their partnership. This comes amid fears in Moscow that China allegedly has territorial aspirations towards Primorsky Krai in Russia’s Far East. On the other hand, some in Russian political circles are concerned that the United States aims to drive a wedge between Moscow and Beijing." https://www.lowyinstitute.org/the-interpreter/why-ukraine-war-works-china-s-favour

December 13, 2025

Skripal and Novichok: What Didn't Happen

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Skripal and Novichok: What Didn't Happen

A critical analysis of the Dawn Sturgess Inquiry report and Skripal affair presented by Craig Murray, Patrick Henningsen and Tim Norman.

January 21, 2023
More Leftie Than Thou
"Jacobin" Magazine Celebrates A Strike Against Ol' Blue Eyes

Here at "The Gaggle" we have very little time for the "more Leftie than thou" school of thought--that's the approach to life according to which the only thing that matters is whether you take the right position on every issue under the sun from Abortion to Zelensky. No one in the world meets the exacting standards of this school of thought; any Leftie leader anywhere is always selling out to the bankers and the capitalists. The perfect exemplar of this is the unreadable Jacobin magazine. 

The other day I came across this article from 2021. It's a celebration of trade union power. And not simply trade union power, but the use of trade union power to secure political goals. Of course (and this is always the case with the "more Leftie than thou" crowd), this glorious, never-to-be-forgotten moment on the history of organized labor took place many years ago--in the summer of 1974 to be exact. Yes, almost half a century has gone by since that thrilling moment when the working-class movement of Australia mobilized and prepared to seize the means of production, distribution and exchange. 

Well, not quite. Organized labor went into action against...Ol' Blue Eyes, the Chairman of the Board, the Voice; yes, Frank Sinatra. Why? What had Sinatra done? Sinatra was certainly very rich, and he owned a variety of properties and businesses. But if the Australian trade union movement were, understandably, searching for the bright, incandescent spark that would finally awaken the working class from its slumber there were surely richer, greedier, more dishonest, more decadent, above all more Australian individuals it could have discovered. Australia was never short of them. Rupert Murdoch immediately springs to mind. Why Sinatra?

 

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